Impresario Boris Goldovsky famously referred to La finta giardiniera as The Phony Farmerette.
Month: August 2015
Regimented Daughter in Santa Fe
At Santa Fe Opera, Donizetti’s effervescent The Daughter of the Regiment can’t quite decide what it wants to be when it grows up.
Santa Fe’s Celebratory Jester
Santa Fe Opera noted a landmark two-thousandth performance in their distinguished history with a stylish new production of Rigoletto.
Sibelius Kullervo, BBC Proms, London
Why did Jean Sibelius suppress Kullervo (Op7, 1892)? There are many theories why he didn’t allow it to be heard after its initial performance, though he referred to it fondly in private.
AÔda at Aspen
Most opera professionals, including the individuals who do the casting for
major houses, despair of finding performers who can match historical standards
of singing in operas such as AÔda. Yet a concert performance in Aspen
gives a glimmer of hope. It was led by four younger singers who may be part of
the future of Verdi singing in America and the world.
Prom 53: Shostakovich — Orango
One might have been forgiven for thinking that both biology and chronology had gone askew at the Royal Albert Hall yesterday evening.
Written on Skin at Lincoln Center
Three years ago I made what may have been my single worst decision in a half
century of attending opera. I wasn’t paying close attention when some
conference organizers in Aix-en-Provence offered me two tickets to the premiere
of a new opera. I opted instead for what seemed like a sure thing:
William Christie conducting some Charpentier.
La P˙rpura de la Rosa
Advertised in the program as the first opera written in the New World,
La P˙rpura de la Rosa (PR) was premiered in 1701 in Lima
(Peru), but more than the historical feat, true or not, accounts for the
Pesaro’s Rossini Festival 2015
The 36th Rossini Opera Festival in Rossini’s Pesaro! La gazza ladra (1817), La gazzetta (1816) and L’inganno felice (1812) — the little opera that made Rossini famous.
Santa Fe: Placid Princess of Judea
Unlike the brush fire in a distant neighborhood of the John Crosby Theatre, Santa Fe Opera’s Salome stubbornly failed to ignite.