Spot-lit in the prevailing darkness, Gustav von Aschenbach frowns restively as he picks up an hour-glass from a desk strewn with literary paraphernalia, objects d’art, time-pieces and a pair of tall candles in silver holders – by the light of which, so Thomas Mann tells us in his novella Death in Venice, the elderly writer ‘would offer up to art, for two or three ardently conscientious morning hours, the strength he had garnered during sleep’.
Month: November 2019
A Baroque Christmas from Harmonia Mundi
A baroque Christmas from Harmonia Mundi, this year’s offering in their acclaimed Christmas series. Great value for money – four CDs of music so good that it shouldn’t be saved just for Christmas. The prize here, though is the Pastorale de NoÎl by Marc-Antoine Charpentier with Ensemble Correspondances, with SÈbastien DaucÈ, highly acclaimed on its first release just a few years ago.
Philip Glass’s OrphÈe at English National Opera
Jean Cocteau’s 1950 OrphÈe – and Philip Glass’s chamber opera based on the film – are so closely intertwined it should not be a surprise that this new production for English National Opera often seems unable to distinguish the two. There is never a shred of ambiguity that cinema and theatre are like mirrors, a recurring feature of this production; and nor is there much doubt that this is as opera noir it gets.
Rapt audience at Dutch National Opera’s riveting Walküre
“Don’t miss this final chance – ever! – to see Die Walküre”, urges the Dutch National Opera website.
Christmas at St George’s Windsor
Christmas at St George’s Chapel, Windsor, with the Choir of St. George’s Chapel, Windsor Castle, James Vivian, organist and conductor. New from Hyperion, this continues their series of previous recordings with this Choir. The College of St George, founded in 1348, is unusual in that it is a Royal Peculiar, a parish under the direct jurisdiction of the monarch, rather than the diocese.
Sarah Wegener sings Strauss and Jurowski’s shattering Mahler
A little under a month ago, I reflected on Vladimir Jurowski’s tempi in Mahler’s ‘Resurrection’. That willingness to range between extremes, often within the same work, was a very striking feature of this second concert, which also fielded a Mahler symphony – this time the Fifth. But we also had a Wagner prelude and Strauss songs to leave some of us scratching our heads.
Manon Lescaut in San Francisco
Of the San Francisco Opera Manon Lescauts (in past seasons Leontyne Price, Mirella Freni, Karita Mattila among others, all in their full maturity) the latest is Armenian born Parisian finished soprano Lianna Haroutounian in her role debut. And Mme. Haroutounian is surely the finest of them all.
A lukewarm performance of Berlioz’s RomÈo et Juliette from the LSO and Tilson Thomas
A double celebration was the occasion for a packed house at the Barbican: the 150th
anniversary of Berlioz’s birth, alongside Michael Tilson Thomas’s fifty-year association with the London Symphony Orchestra.
Mahler’s Third Symphony launches Prague Symphony Orchestra’s UK tour
The Anvil in Basingstoke was the first location for a strenuous seven-concert UK tour by the Prague Symphony Orchestra – a venue-hopping trip, criss-crossing the country from Hampshire to Wales, with four northern cities and a pit-stop in London spliced between Edinburgh and Nottingham.
Bampton Classical Opera’s Young Singers’ Competition – Winner Announced
Bampton Classical Opera is delighted to announce that the winner of the 2019 Young Singers’ Competition is soprano Lucy Anderson. The runner-up prize has been awarded jointly to soprano Daniella Sicari and mezzo-soprano Carolyn Holt. The winner of the accompanists’ prize, a new category since 2017, is Dylan Perez, who accompanied Lucy Anderson.