First unveiled in 2019 (reviewed by David Chandler here: The New Season at the New National Theatre, Tokyo – Opera Today), this revival of Dmitry Bertman’s Eugene Onegin – his…
Year: 2024
Tosca returns to the Royal Opera House
For a successful theatre production to work well, Puccini once asserted, there were three fixed laws. He claimed these should be a necessity ‘to interest, to surprise, to move’. This…
Il Pomo d’Oro bring Purcell and Carissimi to the Barbican
It was clear which ‘queen’ the capacity audience at the Barbican had come to see, and it wasn’t the tragic Queen of Carthage whose downfall and death are brought about…
The Handmaid’s Tale returns to English National Opera
Nearly upended by a proposed strike from ENO musicians, which was averted for the opening night, the revival of this production of Poul Ruders’ The Handmaid’s Tale, first unveiled in…
Die Frau ohne Schatten in Toulouse
The fifth opera in the Richard Strauss canon — the one that is truly gigantic — staged just now at Toulouse’s acoustically famed 1150 seat Theatre du Capitole in the…
Powerful performances from The English Concert at the Wigmore Hall
Works written for performance in Hanover, Rome and London featured in this all-Handel programme given by the English Concert. The evening’s second half was taken up by Dixit Dominus, dating…
The Carver Choirbook is ‘unwrapped’ by The Sixteen at Kings Place
Kings Place’s annual celebration of a particular ‘theme’ has entered its sixteenth year, and in 2024 it is the turn of Scotland to be ‘unwrapped’. The year-long series will explore…
Chornobyldorf: An Archaeological Opera in Seven Novels
For two weeks in January each year, the Prototype Festival brings small-scale and experimental musical theater to New York. The focus is on new works that draw not so much…
Delius: A Mass of Life
‘The status attained by Frederick Delius as a composer ensures for every new work from his pen the respectful attention of all classes of musicians. In the case of a…
The Lady of Satis House: an operatic monodrama by Jacques Cohen
“Miss Havisham is essentially an operatic character!” says composer-conductor Jacques Cohen, when we meet to discuss the recording of his operatic monodrama for soprano and string quartet, The Lady of…