Telemann’s Pimpinone (1725) is perhaps second only to Pergolesi’s La serva padrona (whose plot it pre-empts) as one of the best-known examples of that curiosity of 18th century musical theatre,…
Year: 2025
Some standout performances put a shine on this intermittently engaging Die Walküre
This second instalment of Barry Kosky’s Ring Cycle develops the fractured relationships partially glimpsed in Das Rheingold unveiled at the Royal Opera House 18 months ago. With his new staging…
Opera Baltimore’s Albert Herring: Merry May!
Years ago, I had the privilege to see Benjamin Britten’s Albert Herring in a fully staged and orchestrated production at my alma mater, UNC-Greensboro. It’s an opera that I haven’t…
Multitudes: Mahler – Symphony Nr.8 with the LPO
Any Mahler Eighth Symphony is an occasion. It is an unwieldy, but nevertheless impressive behemoth of a piece. Interestingly enough, my most recent encounter with the symphony was also with…
La bohème at Lyric Opera of Chicago: A Fresh Look at a Traditional Work
The production of Giacomo Puccini’s La bohème featured during the current season at Lyric Opera of Chicago provides the opportunity to experience both vocal and dramatic elements of this work…
Dance, then, wherever you may be: Edward Gardner and the LPO sign up to that
Sydney Carter’s Lord of the Dance might well act as the individual watchword for this concert given by the London Philharmonic Orchestra under Edward Gardner which inaugurated a short Southbank…
Bach’s St John Passion with the AAM at the Barbican
How to approach the St John Passion? Certainly, I feel lucky to have experienced two proportions of epic power in recent years: Masaaki Suzuki and the Collegium Musicum Japan in…
Zorro in San Jose [CA]
It was only a matter of time — first a novella (1917), a pulp magazine series (1919-1954), a few high profile movies (1920, 1940, 1998), a TV series (1957), a…
Sparkling performances from Hurn Court Opera’s La Cenerentola
Bitter-sweet comedy of manners, happy-ever-after romance, or a serious moral tale, Rossini’s 1817 stage work is open to various interpretative slants, some even sinisterly dark. But, however you pigeon-hole this…
A curious combination of Schnittke, Shostakovich and Brahms: Lisa Batiashvili, Gianadrea Noseda and the LSO
In German there is only one word (Schicksal) to cover the twin ideas of Providence watching over you in pursuit of higher things (destiny) and the workings of malign supernatural…