The mere mention of the word ‘crossover’ can be enough to raise the hackles of classical music lovers for whom the genre-splicer suggests not a genuine instinct for synchronous musical…
Author: Claire Seymour
The Other Erlking: Nicholas Mogg and Jâms Coleman present the songs and ballads of Carl Loewe
A cursory scan down the contents list of The Other Erlking, recently released by baritone Nicholas Mogg and pianist Jâms Coleman on the Champs Hill label, might mislead, titles such…
Es ist ein Ros: Dresdner Kammerchor sing Praetorius
Some composer-anniversaries are feted – it sometimes seems as if Beethoven 250 is still running – and other musical milestones do not emerge from the shadows. 2021 was the 50th,…
Angels and Demons: Christmas Eve with I Fagiolini
I Fagiolini can always be relied upon to bring a double shot of invention and intellect to a choral Christmas cocktail. Stalwarts of VOCES8’s Live from London festivals, their Monterverdian…
A Renaissance Christmas: Stile Antico, live from London
Place ‘A Renaissance Christmas’ alongside ‘Stile Antico’ and one might comfortingly anticipate familiar festive fare, immaculately performed. That final expectation was rewardingly fulfilled in this instalment of VOCES8’s Live from…
A stirring Nabucco at Covent Garden
The run-up to curtain-up wasn’t auspicious. The Royal Opera House prefaced this opening night of the revival of Daniele Abbado’s 2013 production of Nabucco with an earlier announcement that the…
Monteverdian mystery, magic and majesty from L’Arpeggiata at the Barbican
A discontented and depressed composer demonstrates his talents in the hope of employment elsewhere? Is that how we are to understand the publication in Venice, in 1610, of Monteverdi’s Vespers…
Puccini’s Tosca at the Royal Opera House
Jonathan Kent’s production of Tosca has been running at the Royal Opera House since 2006; this is its ninth revival. It is no surprise it is still there in repertoire.…
The 66th Kathleen Ferrier Awards 2021
For the second year running, the Kathleen Ferrier Awards were delayed until the autumn and the participants had only a panel of illustrious judges and a small private audience before…
Juliana: a ‘naturalistic tragedy’ for our times
In the Preface to his 1888 play, Miss Julie, August Strindberg argued for a new, less artificial form of dialogue – associative, flowing naturally, as in life: ‘I have avoided…