Carmen was the last opera I saw before the end of the world. Not necessarily what I would have chosen; for many of my friends it was Fidelio, whose absence…
Author: Mark Berry
A glimpse of eternity: the LPO performs Birtwistle and Mahler
For many, the greatest English composer since Purcell and the greatest English composer of opera tout court, Harrison Birtwistle died little more than a fortnight before this concert. Even for…
Lohengrin at the Royal Opera House
Considering the first night of David Alden’s (then) new production of Lohengrin in 2018, I found ‘a conceptual weakness at … [its] heart. I suspect it can be remedied: if…
The Royal Academy of Music celebrates 200 years with a triple bill and a new opera
Commissioning a new opera for its 200th anniversary, and then staging and performing it with such excellence, are laudable things for the Royal Academy of Music to have done. If…
The Cunning Little Vixen at English National Opera
Failure to love the operas—more generally, the music—of Janáček would be a strange, soulless thing indeed. It seems more to be opera companies, strange, incomprehensible entities, than opera-goers, be they…
La bohème returns to ENO
This was, I think, the fourth time I have seen Jonathan Miller’s production of La bohème. It strikes me, in this revival directed by Crispin Lord, to have a good…
‘Hymns to the Virgin’: The Tallis Scholars at St John’s Smith Square
St John’s Smith Square’s 36th Christmas Festival has gone ahead as planned. That in itself is something to grant seasonal cheer, especially at what again is proving a trying time…
An RAM double bill: Ravel’s L’Heure espagnole and Puccini’s Gianni Schicchi
How wonderful at last to return to opera at the Royal Academy of Music. (I caught an excellent concert of chamber music by Bartók and Eötvös from musicians coached by…
Le nozze di Figaro: Hampstead Garden Opera
HGO (formerly Hampstead Garden Opera) has been one of the musical heroes of the pandemic. Last year, it brought opera back to London with Holst’s Savītri; this year, it was…
Musick’s Monument: Lucy Crowe and Fretwork at Wigmore Hall
Thomas Mace’s Musick’s Monument, or, A remembrance of the best practical musick, both divine and civil, that has ever been known to have been in the world divided into three…