London audiences seem to have been frequently invited to travel back to Handel’s Rome of late. After In the Realms of Sorrow at Stone Nest during the London Handel Festival…
Category: Reviews
Magnificat 3: The Choir of St John’s College, Cambridge
For over five centuries, the service of evensong has inspired countless musical settings of the evening canticles. Its continuing development from composers working within the Anglican tradition (and without) shows…
Hamlet at the Opéra Bastille
Versions of Shakespeare’s famed Hamlet have amused Parisian audiences for 250 years or so, though just now at the Opéra Bastille we were as amused as we were confused. Polish stage…
Jonathan Dove’s Mansfield Park at the Royal Northern College of Music
Jonathan Dove’s orchestral adaptation of his 2011 opera Mansfield Park (originally written for soloists and piano duet) debuted at The Grange Festival in 2017. With its cast of youthful characters, and…
Paavo Järvi’s Mahler Third: a fabulous and treasurable performance
In the wrong performance Mahler’s Third Symphony can be a burden on the listener and I have very often found this the most difficult of his symphonies to bring off…
Korngold’s The Dead City at English National Opera
When he published his novel Bruges-la-Morte, in French, in 1892, the symbolist author George Rodenbach included within the narrative dozens of black-and-white topographical photographs of the Belgian city, largely images…
A lovely, lucid Figaro at the Royal Academy of Music
La folle journée is the title of the second play in Pierre Beaumarchais’s ‘Figaro trilogy’ and, duly, the single ‘mad day’ on which the wedding of Figaro and Susanna takes…
Handel’s Scipione: the Early Opera Company close the London Handel Festival with a celebration of clemency
This year’s London Handel Festival was brought to a gracious close with a celebration of clemency, magnanimity and honour. Scipione, the ninth of the operas that Handel composed for the…
Myths and monsters from the BBCSO and Brabbins at the Barbican Hall
Beowulf is an archetypal heroic text of the medieval age: warriors and kings, the sea and craggy cliffs, monsters and myths: the bright gleam of the hero’s ceremonial armour juxtaposed…
Akhnaten still compels at English National Opera
Those lavish costumes, the fiery sun and the troupe of jugglers continue to leave a vivid impression in Phelim McDermott’s sumptuous staging of Akhnaten. Now in its second revival since…