Released as part of Orfeoís series entitled Festspiel Dokumente, this recording makes available on CD the concert performance at the Salzburg Festival of Anton Brucknerís Seventh Symphony by the Vienna Philharmonic that Hans Knappertsbusch conducted on 30 August 1949.
Category: Reviews
Jan Neckers on Recently Released Reissues and Historicals
The first opera performance I consciously attended while being definitely hooked to the genre due to records, was Guillaume Tell more than 40 years ago.
Bryn Terfel: Tutto Mozart!
Released in celebration of the recent Mozart year, Tutto Mozart! is a collection of nineteen arias, duets and other ensembles from the composerís operas that feature the baritone Bryn Terfel.
The Oxford Psalms
Founded in Oxford in the early 1990ís, the ensemble Charivari AgrÈable looks to seventeenth-century composers with Oxford connections as the basis for their recent recording, ìThe Oxford Psalms.î
Karlsruheës Don Gets Down
The Badisches Staatstheater seems to have borrowed with a vengeance the catch-phrase from John Watersí recent ìA Dirty Shame,î namely: ìLetís go sexiní!î I canít recall ever seeing a ìDon Giovanniî
with more lip-locks, grinding torsos, leg-wraps, and groping embraces.
Gruberova on Nightingale Classics
Edita Gruberova’s North American fans, who can only hold onto dim hopes that someday the
European superstar will return to these shores, can always seek to sate their desire for her artistry by picking up the latest CD from Nightingale Classics.
Libera ó Angel Voices
“They are boys, and they sing, but don’t call them choirboys. ‘Libera’ prefer to be called a vocal group ó a real boy band, if you like.”
ROSSINI: Torvaldo e Dorliska
Between the efforts of recording companies Naxos and Opera Rara, Rossini-philes have been living in a golden age.
Portraits of Dmitri Hvorostovsky and Olga Borodina
Philips decided some time ago that it no longer needed to be the audio representative for two fine contemporary singers of Russian origin, mezzo Olga Borodina and baritone Dmitri Hvorostovsky.
Aida at ENO
After the marketing gimmickry of Sally Potter’s production of Carmen, and a dance-based Poppea set at the bottom of the sea, it did not bode well when the advertising for ENO’s latest
production included an interactive dress-up doll circulated by email.