There was no musical equivalent in Russia of the outpouring of Romantic lieder which occurred in Western Europe, as, inspired by the greatest poets of the day, song after song…
Category: Reviews
The Cunning Little Vixen at Opera Holland Park
Our present condition lends us, perhaps more than ever, to think of what has led us here, how things really are now, and where the world will take us next.…
Innocence at the Aix Festival
This was the world premiere of Kaija Saariaho’s new opera that will come soon to Helsinki, Amsterdam, London, New New York and San Francisco, its co-commissioners. Finland born composer Saariaho…
El Nour: impressive debut CD by Fatma Said
There cannot be many sopranos whose debut CD takes the listener on a cultural tour around the Mediterranean. And what a fascinating exploration this is by a rising star who…
‘All shall be well’: ORA Singers and Zeb Soanes reassure and inspire
The optimistic words of Julian of Norwich (1342-c.1417) might seem out of place in the modern world. Yet, Mother Julian, as the English anchorite and mystic came to be known,…
The Sixteen release their fourth volume of Purcell’s Welcome Songs for King Charles II
Harry Christophers and The Sixteen have now reached volume 4 in their ongoing exploration of Henry Purcell’s Welcome Songs for Charles II. Like the previous discs in the series, evolving…
A fresh look at Winter Words as ‘Summer at Snape’ continues
It may not have been possible for Snape Maltings to host the Aldeburgh Festival this year or last, but the Maltings have not been silent and the Summer at Snape…
Tristan und Isolde at the Aix Festival
Soprano Nina Stemme, tenor Stuart Skelton, bass Franz-Josef Selig and conductor Simon Rattle create a Tristan of transcendent music in a revelatory staging by Simon Stone. The London Symphony Orchestra…
Falstaff at the Aix Festival
It was inevitable. If stage director Barrie Kosky famously ravaged Wagner’s only comedy at Bayreuth, then he must do the same to Verdi’s only comedy. It happened just now in…
Dramatic darkness and vocal delights as Kasper Holten’s Don Giovanni returns to the Royal Opera House
So, after a Così that was wonderfully serene but somewhat serioso, now a Don Giovanni that impresses vocally but seems to have lost some of its giocoso. Kasper Holten’s production…