For nearly a decade after its premiere, in 1853, Il Trovatore was the most popular opera, perhaps the most popular stage work on the planet — even more than Rigoletto or Ernani, and far more than Traviata, which had its premiere the following autumn.
Category: Performances
Franz Schubert: The Conspirators (Die Verschworenen)
Schubert was desperate to be an opera composer — or so one might surmise from the many (at least 18) attempts he made to make a name for himself as a man of the theatre.
Katya Kabanova/The Magic Flute — English Touring Opera, Hackney Empire Theatre
English Touring Opera is 30 years old this year, and has never been more adventurous.
Don Giovanni — Victorian Opera
Each Australia state maintains its own opera company. The dominant company is Opera Australia, a permanent ensemble based at the Sydney Opera House but which originated in the Melbourne based National Theatre Opera Company in the 1940s.
LA “Ring” up and running
LOS ANGELES: On February 21 the capacity audience in the Dorothy Chandler Pavilion was overwhelmed by the staging of Das Rheingold that launched the Los Angeles Opera’s new production of Der Ring des Nibelungen. So was Wagner.
Haydn’s L’Isola Disabitata by Gotham Chamber Opera
Had a misunderstanding with your truelove lately? Tough job straightening things out?
Wagner’s Das Rheingold at Los Angeles Opera
There is some slim irony to an opera company pursuing the complicated business of staging Richard Wagner’s Der Ring des Nibelungen in the current economy — it entails the very sort of dubious compromises that get Wotan and crew into such hot water (if one assumes the cataclysmic fire at the end of Gˆtterd‰mmerung heated the Rhine).
Fidelio — London Lyric Opera, Cadogan Hall
After a problematic debut last Autumn with Der fliegende Holl‰nder at the Barbican, London’s newest opera-in-concert outfit returned this month with Fidelio at the smaller Cadogan Hall.
Korngold Thrills in Venice
It is not often that the team of stage director, set and costume designer get the biggest, most boisterously rowdy roar of approval at opera’s end.
Tristan und Isolde in Chicago
By the close of the first act of Richard Wagner’s Tristan and Isolde in its current production at Lyric Opera of Chicago the audience has been given a strong impression of the multi-faceted characters bound up in the musical drama unfolding on stage.