Beyond the Garden: a haunting one-act opera by Stephen McNeff

Theodor Adorno called her ‘the monster’; the wife of the writer Friedrich Torberg derided her as ‘a grande dame and at the same time a cesspool’.  Yet, Alma Mahler was…

Post-Straussian sumptuousness at the Three Choirs Festival

For many, Richard Strauss’s Four Last Songs (1948) represent the last great flowering of German Romanticism.  84 years of age, worn down by the tribulations and devastation of the Second…

Verdi’s Un ballo in maschera at the Chicago Symphony Orchestra

During its final week of the 2021-22 season the Chicago Symphony Orchestra featured several concert performances of Giuseppe Verdi’s Un ballo in maschera conducted by Riccardo Muti. The cast of…

Wolf’s Mörike-Lieder: Anna Prohaska and Christian Gerhaher at Wigmore Hall

A decidedly superior Liederabend, in terms of verse, musical setting, and performance. Hugo Wolf remains a connoisseur’s composer: slightly perplexing, perhaps, but then there is no playing to the gallery,…

A harrowing but very ‘human’ Winterreise from Mark Padmore and Paul Lewis at Wigmore Hall

There could really only be one work with which Mark Padmore would conclude this season residency at Wigmore Hall, a series forming his final solo recitals at the Hall, but…

Rouvali’s mighty and stereophonic ‘Resurrection’ closes his first season with the Philharmonia

The final concert of the Philhamonia Orchestra’s Spring-Summer season came to an end with that greatest of Mahler blockbuster symphonies, the choral ‘Resurrection’. It also marked the end of Santtu-Matias…

Il prigioniero: Pappano and the LSO give an exceptional performance of Luigi Dallapiccola’s opera of torture and Inquisition

When it comes to the style and essence of their music Ottorino Respighi and Luigi Dallapiccola really come from entirely different places.  Church Windows and Il prigioniero, heard side by…

Lise Davidsen and Freddie De Tommaso: voices of star quality in an exceptional recital

The last couple of times I have reviewed Lise Davidsen at the Barbican – who is beginning to feel at home in this hall as Birgit Nilsson once did at…

Kathryn Rudge sings an exquisite Sea Pictures beside Vasily Petrenko’s safe Mahler Sixth

The coupling of Elgar’s Sea Pictures and Mahler’s Sixth Symphony is not an obvious one. One tangible link is that Mahler conducted Sea Pictures in the final year of his…

Chelsea Opera Group present a superb Andrea Chénier at the Southbank

The 2022 summer opera season has been getting well and truly underway this week, with first nights at Opera Holland Park (Eugene Onegin) and Garsington (Orfeo), following Glyndebourne’s production of…