Carolyn Sampson, Tim Mead and Arcangelo explore German-Italian crosscurrents at Wigmore Hall

This concert at Wigmore Hall by Arcangelo, under their director Jonathan Cohen, explored German-Italian cultural crosscurrents in the early 18th century.  So, we had a motet dating from the Italian…

Mark Padmore and Imogen Cooper at Wigmore Hall

The five concerts forming Mark Padmore’s 2022-23 residency at Wigmore Hall will be his last ‘full recitals’ at the Hall, though not necessarily his last appearances.  The series focuses on…

James Gilchrist and the Nash Ensemble at Wigmore Hall

On a day that the retiring Bishop of Liverpool described the culture of politics ‘right across the west’ as ‘adversarial, scratchy, exhausted’ and ‘rancid and dangerous’, the words of Dame…

Sounds of the Solstice: Tenebrae at Wigmore Hall

‘God made Sun and Moon to distinguish the seasons, and day, and night, and we cannot have the fruits of the earth but in their seasons.’  So preached John Donne…

Varied performances from the London Handel Players at the Wigmore Hall

Loss and celebration were the themes embedded in a programme comprising two secular cantatas from J.S. Bach’s Leipzig years, and a single aria attributed to him but now believed to…

Mesmerising performances from the LSO and Noseda at the Barbican

‘He liked to think that he wasn’t afraid of death.  It was life he was afraid of, not death.  He believed that people should think about death more often, and…

A Musical Banquet: Iestyn Davies and Thomas Dunford

Hot off the press in 1610 was A Musicall Banquet furnished with varietie of delicious Ayres, Collected out of the best Authors in English, French, Spanish and Italian – a compilation…

ETO at Home: Ferrandini’s Il pianto di Maria

English Touring Opera’s ETO at Home project has seen the company produce a series of films of operas, large scale vocal works, chamber music and song which can be viewed…

Exile and Isolation: Julian Anderson’s Suite from Exiles, the LSO and Simon Rattle

Often you go to concerts and the programming isn’t especially obvious – why are these works being played besides each other?  This is particularly the case with concertos and symphonies.…

Hasse’s serenata, La Semele, at Wigmore Hall

The cultural influence of Ovid’s Metamorphoses is immeasurable.  A source of inspiration for artists, sculptors, novelists, poets and composers for centuries, its myths have furnished countless composers and librettists with…