Mozart’s La Finta Giardiniera x2

With a composer as widely beloved as Wolfgang Amadeus Mozart, for an opera to be all but forgotten suggests the work has problems beyond redemption.

Der Rosenkavalier highlights on Classics for Pleasure

For the opera of average length, a decent highlights disc can feature as much as half the score.

Samson at Buxton Opera House

http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/stage/opera/article4338208.ece

Revealing the best kept secret in opera

http://www.theherald.co.uk/features/features/display.var.2397662.0.Revealing_the_best_kept_secret_in_opera.php

Bohemians you can rely on

http://www.ft.com/cms/s/0/ddc0b462-5282-11dd-9ba7-000077b07658.html

Singers Muster at the Drill Hall

http://online.wsj.com/article/SB121564405362040697.html?mod=opinion_journal_leisure_art

Die Soldaten

Bernd Alois Zimmermann was a sensitive, none too healthy 21-year-old music prodigy in 1939, when he was drafted into the German army.

MOZART: Idomeneo (Britten ed.)

Idomeneo, rË di Creta: Dramma per musica in tre atti (K. 366).

Troilus triumphant in Saint Louis Ö..

For Sir William Walton, the protracted genesis of Troilus and Cressida must have seemed more akin to the agonies of Sisyphus than to the composition of an opera.

CANDIDE ñ English National Opera, London Coliseum

Originating at the Ch‚telet, where the narration was given in French, Robert Carsen’s staging of Bernstein’s unique satire worked rather well in its television broadcast from the Parisian house late in 2006.