Pergolesi’s L’Olimpiade is wittily and slickly recreated by Vache Baroque

As with so many librettos by Pietro Metastasio, L’Olimpiade was set numerous times during the 18th century. Like Vivaldi’s version (which audiences in London have also had the chance to…

Sunday in the Park with Lyric

On Sunday, 25 August Lyric Opera of Chicago presented its annual Sunday in the Park with Lyric at Millennium Park.  In addition to welcoming a new season, Lyric Opera also…

PROM 52: Carmen and the cigarette girls come to town

There’s a long tradition of bringing productions from Glyndebourne to the BBC Proms in London. It’s one way of making them more widely accessible. The original production of Bizet’s Carmen…

PROM 50: A curate’s egg of an evening but a magnificent Glagolitic Mass

For the second of two consecutive appearances at the Albert Hall, Jakub Hrůša and his Prague-based orchestra delivered an all-Czech programme showcasing a Proms premiere, a seldom-heard piano concerto and…

PROM 45: Jamie Barton sings Mahler’s Rückert-Lieder

In the great pantheon of German Romanticism there is a natural association of certain poets with certain composers: Heine and Schumann or Mörike and Wolf, for instance. Friedrich Rückert is…

Il barbiere di Siviglia at the Rossini Opera Festival

The city of Pesaro is the 2024 Capitale Italiana della Cultura, adding luster to its 2017 Unesco designation as a Città Creativa. All this calls for celebration, and that was…

Bianca e Falliero at the Rossini Opera Festival

Expectations were high in Pesaro just now, not for the new production of Bianca e Falliero by French stage director Jean-Louis Grinda (expectations were low), but of the Rossini Opera…

Ermione at the Rossini Opera Festival

Ermione (Hermione in the Greek myth, though Rossini’s opera has nothing to do with the myth or Euripides tragedy) was anticipated with great expectations both because Michele Mariotti, Pesaro’s conducting…

L’equivoco stravagante at the Rossini Opera Festival

L’equivoco stravagante (1811) had only three performances before it was pulled by the censors. This is the same year its 19 year old composer was hauled off to prison for…

PROM 37: Pappano’s operatic War Requiem resonates with poetry and horror

Composers have long taken the horrors of the Second World War and used it as either a lament for its atrocities or an expression of reconciliation after them. Both Krzysztof…