http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/film/article3182112.ece
Tom Moore Interviews Dimitri Cervo
Oct. 25, 2007, Sala Cecilia Meireles
I met the young gaucho composer Dimitri Cervo at the 2003 Bienal of Contemporary Music, where his works for solo flute and strings, Pattapiana [named for Pattapio Silva, a great Brazilian flutist who died tragically
young at the beginning of the last century] made quite an impression.
ìOne Foot in Eden Still, I Standî: Choral Music by Nicholas Maw.
The English composer Nicholas Maw has been a major voice since the 1960’s, with a wide range of works that include the 2002 opera, “Sophieís Choice,” a violin concerto for Joshua Bell (1993), and the monumentally-scaled orchestral work, “Odyssey” (1972-87).
MOZART: Requiem (Neukomm ed.)
As is often the case, last works that remain incomplete at the time of a composerís death, are quick to invoke controversy and conspiracy theories.
GLUCK/BERLIOZ: OrphÈe
OrphÈe: Opera in four acts.
Music composed by Christoph Willibald Gluck (arranged by Hector Berlioz, 1859).
Libretto by Ranieri de’ Calzabigi
Wo viele gern in die Oper gehen
WILHELM SINKOVICZ [Die Presse, 10 January 2008] Lokalaugenschein in Pressburg, wo das Nationaltheater f¸r Verdi, Donizetti & Co. noch Regie statt Regietheater bietet und Stimmen zu entdecken sind. ÑWiens drittes…
Judith Weir: What Tavener and Copland taught me
http://www.telegraph.co.uk/arts/main.jhtml?xml=/arts/2008/01/10/bmweir110.xml