Cecilia Bartoli in Salzburg

http://www.nysun.com/article/18725

Iolanta at Royal Albert Hall

http://www.guardian.co.uk/arts/reviews/story/0,11712,1550550,00.html

The Mariinsky on the Skids?

http://www.theaustralian.news.com.au/common/story_page/0,5744,16295766%255E16947,00.html

Motezuma Judgment Overruled on Appeal

http://www.wz-newsline.de/sro.php?redid=90772

Handel’s Giulio Cesare at Glyndebourne

http://www.lefigaro.fr/culture/20050816.FIG0086.html?093816

Die Gezeichneten at Salzburg

http://www.newyorker.com/critics/music/?050822crmu_music

Mitridate, Re di Ponto at Salzburg

http://www.nysun.com/article/18640

Candide in San Francisco

http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2005/08/16/DDG2JE781S1.DTL

CILEA: Gloria

Collectors have known this piece for more than a quarter of a century due to the MRF-pirate recording. Some have probably transferred these LP’s unto CD-R and don’t see a reason why they should buy this issue. Well, there is one and it’s a compelling one. The MRF-sound was good mono, obviously culled from a radio broadcast. This Bongiovanni-issue however gives us the original brilliant stereo sound and it makes for a world of difference. I always liked the opera though I thought the first act somewhat lacking in inspiration; the performance only taking fire by Labo’s first appearance. This set cured me of that impression while the choruses and brilliant orchestration (even somewhat too showy to prove Cilea had mastered his craft after Adriana where the violins are mostly doubling the vocal line) are now crystal clear and one quickly recognizes the inspired melodious ideas of the maestro.

Der lustige Krieg at Bregenz

http://news.ft.com/cms/s/a23a269a-0acc-11da-aa9b-00000e2511c8.html