The London Symphony Orchestra was the first of the major orchestras to open their autumn season in September. Unlike their brethren across the Thames (to the south), they chose not…
Tag: London Symphony Orchestra
Simon Rattle’s Prom of Poulenc and Mahler proved both unforgettable and deeply personal
Farewell. This was an essential part of Sir Simon Rattle’s second Prom at the Royal Albert Hall. It was a final farewell to his tenure at the London Symphony Orchestra…
Sir Simon Rattle and the LSO introduce Schumann’s Das Paradies und die Peri to the Proms
“It’s the great masterpiece you’ve never heard.” So declared Sir Simon Rattle when he introduced Schumann’s Das Paradies und die Peri to the London Symphony Orchestra in 2015, in a…
‘Babi Yar’: Shostakovich, Noseda and the LSO
Shostakovich’s ‘Babi Yar’ Symphony, his thirteenth, is amongst his greatest works – and yet in a sense it disappeared completely after its troubled premiere on December 18th, 1962. The composer…
Szymanowski’s Symphony No.3, The Song of the Night, in a mixed evening at the Barbican
This was an odd concert – supposedly with a Polish link, in that its bookends were two symphonies from that country, and two symphonies at that which were born out…
Katya Kabanova: orchestral drama from the LSO and Sir Simon Rattle
Perhaps the most perfectly proportioned of Janáček’s operas, certainly one of the most emotionally and dramaturgically correct—which, in Janáček’s case, is saying quite something—Katya Kabanova has not wanted for recent…
Sorrow and Serenity from Sir Simon Rattle and the LSO at the Barbican Hall
There seems to be much sorrow in the world at the moment, but little serenity. This concert by the London Symphony Orchestra thus offered a welcome balancing of affekts, the…
Rattle’s Stravinsky Journey with the LSO
Criticism of Simon Rattle as a conductor might be justified in several ways; as a creator and innovator of concert programs, however, such criticism would be very wide of the…
Il prigioniero: Pappano and the LSO give an exceptional performance of Luigi Dallapiccola’s opera of torture and Inquisition
When it comes to the style and essence of their music Ottorino Respighi and Luigi Dallapiccola really come from entirely different places. Church Windows and Il prigioniero, heard side by…
Brilliant Weill from Kožená, Rattle and the LSO at the Barbican
The Seven Deadly Sins is perhaps the most interesting of the collaborations between Kurt Weill and Berthold Brecht. Composed ‘post-rift’ in 1933, this ballet chanté is sophisticated both musically and…