The myth of Lucretia, first told by Livy, tells of the rape of Collatinus’s eponymous wife by his fellow soldier, Tarquinius, the son of the Etruscan king who rules over…
Tag: Royal Opera House
Robert Carsen’s new production of Aida at the Royal Opera House
Finding myself with an hour to kill before a performance of Robert Carsen’s new production of Aida at the Royal Opera House earlier this week, I settled down in a…
Chiaroscuro expressionism: Keith Warner’s Otello is revived at the Royal Opera House
Keith Warner’s Otello is a crucible of darkness and light. The minimalism of Warner’s conception and design seemed even more striking to me during the opening night of this second…
Così fan tutte at the Royal Opera House
First unveiled in 2016, this second revival of Jan Philipp Gloger’s Così fan tutte remains self-consciously preoccupied with the question, ‘What is theatre?’ While his interview in the souvenir programme…
A Wounded Butterfly at Covent Garden
Puccini’s Madama Butterfly, beautiful though it is, presents issues for contemporary values; hence the current rethink of the Moshe Leiser and Patrice Caurier production. The Royal Opera brought in Japanese…
Samson et Dalila at the Royal Opera House
To describe Saint-Saëns’s Samson et Dalila as ‘old-fashioned’ doesn’t seem controversial. The French composer’s score harks back to the past with its allusions to Handelian fugue and Bachian chorale, betraying…
Royal Opera House launches 2022/23 apprenticeship programme
The Royal Opera House has announced the launch of its 2022/23 apprenticeship programme, which offers nine apprentices high-quality training and two years of paid employment at one of London’s leading…
Damiano Michieletto’s Don Pasquale returns to the Royal Opera House
In one sense, Donizetti’s Don Pasquale hinges on a slap. In a fit of pique, Norina lashes out at the eponymous wealthy, stubborn old man whom she’s duped, when he…
Lohengrin at the Royal Opera House
Considering the first night of David Alden’s (then) new production of Lohengrin in 2018, I found ‘a conceptual weakness at … [its] heart. I suspect it can be remedied: if…
In conversation with Mary Bevan
Operas sometimes seem like the proverbial London bus: you wait at the stop for ages and then three come along at once. This year, the bus’s destination has been Alcina’s…