Mega famous L.A. artist David Hockney is no stranger at San Francisco Opera. Of his six designs for opera only the Met’s Parade and Covent Garden’s Die Frau ohne Schatten have not found their way onto the War Memorial stage.
Year: 2017
The School of Jealousy: Bampton Classical Opera bring Salieri to London
In addition to fond memories of previous beguiling productions, I had two specific reasons for eagerly anticipating this annual visit by Bampton Classical Opera to St John’s Smith Square. First, it offered the chance to enjoy again the tunefulness and wit of Salieri’s dramma giocoso, La scuola de’ gelosi (The School of Jealousy), which I’d seen the company perform so stylishly at Bampton in July.
Richard Jones’ new La bohËme opens ROH season
There was a decided nip in the air as I made my way to the opening night of the Royal Opera House’s 2017/18 season, eagerly anticipating the House’s first new production of La bohËme for over forty years. But, inside the theatre in took just a few moments of magic for director Richard Jones and his designer, Stewart Laing, to convince me that I had left autumnal London far behind.
Giovanni Simone Mayr: Medea in Corinto
The Bavarian-born Johann Simon Mayr (1763–1845) trained and made his career
in Italy and thus ended up calling himself Giovanni Simone Mayr, or simply
G. S. Mayr. He is best known for having been composition teacher to
Giuseppe Donizetti.
Robin Tritschler and Julius Drake open
Wigmore Hall’s 2017/18 season
It must be a Director’s nightmare. After all the months of planning, co-ordinating and facilitating, you are approaching the opening night of a new concert season, at which one of the world’s leading baritones is due to perform, accompanied by a pianist who is one of the world’s leading chamber musicians. And, then, appendicitis strikes. You have 24 hours to find a replacement vocal soloist or else the expectant patrons will be disappointed.
The Opera Box at the Brunel Museum
The courtly palace may have been opera’s first home but nowadays it gets out and about, popping up in tram-sheds, car-parks, night-clubs, on the beach, even under canal bridges. So, I wasn’t that surprised to find myself following The Opera Box down the shaft of Isambard Kingdom Brunel’s Thames Tunnel at Rotherhithe for a double bill which brought together the gothic and the farcical.
Proms at Wiltons: Eight Songs for a Mad King
It’s hard to imagine that Peter Maxwell Davies’ dramatic monologue, Eight Songs for a Mad King, can bear, or needs, any further contextualisation or intensification, so traumatic is its depiction – part public history, part private drama – of the descent into madness of King George III. It is a painful exposure of the fracture which separates the Sovereign King from the human mortal.
Prokofiev: Cantata for the 20th Anniversary of the October Revolution: Gergiev, Mariinsky
Sergei Prokofiev’s Cantata for the Twentieth Anniversary of the October Revolution, Op 74, with Valery Gergiev conducting the Mariinsky Orchestra and Chorus. One Day That Shook the World to borrow the subtitle from Sergei Eisenstein’s epic film October : Ten Days that Shook the World.
Matthias Goerne: Bach Cantatas for Bass
In this new release for Harmonia Mundi, German baritone Matthias Goerne
presents us with two gems of Bach’s cantata repertoire, with the texts of
both BWV 56 and 82 exploring one’s sense of hope in death. Goerne
adeptly interprets the paradoxical combination of hope and despair that
underpins these works, deploying a graceful lyricism alongside a richer, darker
bass register.
Mark Padmore on festivals, lieder and musical conversations
I have to confess, somewhat sheepishly, at the start of my conversation with Mark Padmore, that I had not previously been aware of the annual music festival held in the small Cotswolds town of Tetbury, which was founded in 2002 and to which Padmore will return later this month to perform a recital of lieder by Schubert and Schumann with pianist Till Fellner.