“Historically Informed Performance” sure has a nice ring — not only does the acronym capture the trendiness of the movement (“HIP”), but one has to admire the subtle put-down the term encapsulates.
Category: Reviews
Don Giovanni, Metropolitan Opera
According to legend, when composing Don Giovanni, Mozart completed
the overture last. It was written the night before the opera’s premiere, while his wife Constanze, a fervent taskmaster, plied him with food and drink to make sure he stayed awake.
A Portrait of Manon — Young Artrists at the Royal Opera House
Without young artists, no art form will thrive or grow. The Royal Opera House’s Jette Parker Young Artists scheme nurtures the best from its young artists that their performances attract thoughtful audiences.
Don Giovanni in San Francisco
Ossia Maestro Watching in Fog City. Ten years ago it was German provincialism, now it is the Italian sort wanting to take root in the War Memorial Opera House.
Renata Pokupić, Wigmore Hall
In this appealing lunchtime recital programme, Croatian soprano Renata Pokupić demonstrated a rich, varied tonal palette and strong communicative skills as she spanned one hundred years of European song.
Intertwining facets of Italian High Baroque
‘Erotic oratorio’ is the odd-sounding definition devised by modern scholars, such as Howard E. Smither, for those pious music dramas employing sex-laden plots from the Bible, the Apocrypha or the lives of Saints in order to give the audience moral instruction in a quasi-operatic, if generally unstaged, form.
Threepenny Opera, Brooklyn
Should I wait until the end of this review to tell you how much fun, how much of a theatrical whoopee cushion Robert Wilson’s production of Die Dreigroschenoper has been at BAM last week?