Shadows, suspicion and saintliness each find a tragic outlet in Grange Park Opera’s Otello – Verdi’s late masterpiece, prompted by his publisher and premiered in 1887 following a period of…
Category: Staged Operas
Die tote Stadt at Longborough Festival Opera
‘Bruges était sa morte. Et sa morte était Bruges.’ In his novella Bruges-la-Morte (1892), the Belgian symbolist author George Rodenbach makes clear the affinity between the ‘dead city’, Bruges, and…
The Excursions of Mr Brouček at Grange Park Opera
Hats off to Grange Park Opera for unquestionably the best of the four ‘country house’ operas I have seen so far this season. First, and perhaps most important, with respect…
A Wounded Butterfly at Covent Garden
Puccini’s Madama Butterfly, beautiful though it is, presents issues for contemporary values; hence the current rethink of the Moshe Leiser and Patrice Caurier production. The Royal Opera brought in Japanese…
Thrilling Macbeth from the Grange Festival
Verdi’s operatic makeover of Shakespeare’s Scottish play was given a highly charged staging at the Grange Festival when I caught up with it on its second night. From the Preludio’s…
Georges Bizet’s Carmen at Opera Holland Park
Carmen was the last opera I saw before the end of the world. Not necessarily what I would have chosen; for many of my friends it was Fidelio, whose absence…
Oedipus Rex at the San Francisco Symphony
Plague infested Thebes, plague infested San Francisco. Esa Pekka Salonen has brought his Peter Sellars staged Oedipus Rex and concluding Stravinsky prayer, Symphony of Psalms, to Davis Hall. Salonen, now…
Tamerlano at The Grange Festival: superb singing but somewhat staid production
One might say of Daniel Slater’s production of Handel’s Tamerlano at The Grange Festival that the staging offers nothing about which to complain and that the singing gives much to…
Don Giovanni at San Francisco Opera
The crowning jewel of Mozart’s operas has arrived at the War Memorial Opera House, San Francisco Opera now completing, finally, the Covid thwarted rollout of an integrated Mozart/DaPonte trilogy. The…
A double bill of Monteverdi and Weill at the Guildhall School of Music and Drama
The London Conservatoires frequently serve up some of the most interesting operatic fare in the capital: unusual programmes, often in eclectic pairings, presented in inventive stagings – and, of course,…