‘I don’t want to be a dancer, my feet in the air, my head a faceless oblong of white cloth. I don’t want to be a doll hung up on…
Category: Staged Operas
Pacific Opera Project Iolanta: Love Is Blind
Estimable Pacific Opera Project (POP) does not always take such bold, bald chances as it has with producing the West Coast staged premiere of Tchaikovsky’s long one act, Iolanta. Far…
Angel Blue excels as Violetta at the Royal Opera House
Another revival of Richard Eyre’s seemingly timeless production of La traviata (first unveiled in 1994) has returned to the Royal Opera House. It provides a further opportunity to hear yet…
Blow’s Venus and Adonis: the Early Opera Company at St John’s Smith Square
Probably first performed at the London or Windsor court in 1683, John Blow’s Venus and Adonis is a thinly veiled political satire on the amorous appetites of Charles II and…
London Handel Festival: Acis and Galatea at Stone Nest
We don’t know much about the first performance (in 1718) of Handel’s pastoral Acis and Galatea but there is a tradition that it was premiered in the gardens of Cannons, the grand…
“Family Secrets” in Lyon (Trauernacht)
Some years ago British stage director Katie Mitchell, with French early music conductor Raphaël Pichon concocted a dramatic action based on fragments of cantatas by J.S. Bach for the Aix Festival. Here it was again, in Lyon’s historic, spoken word Théâtre des Célestins (above photo).
The Royal Academy of Music celebrates 200 years with a triple bill and a new opera
Commissioning a new opera for its 200th anniversary, and then staging and performing it with such excellence, are laudable things for the Royal Academy of Music to have done. If…
A Quiet Place at the Palais Garnier
A Quiet Place has come of age, thirty-nine years later. In 1983 much of its subject matter was sensitive, even taboo. As well it dwelt on naked emotional histories that…
“Family Secrets”* in Lyon (Irrelohe)
Irrelohe. An orchestral orgy — triple winds, quadruple brass though six horns, two harps, organ, celeste, guitar, mandolins, an eighth player percussion battery plus tympani and strings. Libretto and music…
Ariadne auf Naxos at the Met
A funny thing happened at the Metropolitan Opera last Thursday, during the final performance of a recent run of Richard Strauss’s Ariadne auf Naxos. In the silence after the applause…