Paul Curran’s 2019 The Bartered Bride, set in late 1950s Britain, makes a welcome return to the Wormsley Estate in Rosie Purdie’s likeable revival. With a new cast, this folksy…
Woman at Point Zero at the Royal Opera House
Nawal El Saadawi’s 1975 novel, Woman at Point Zero, presents an ‘eve of death-row’ narrative which is a chilling indictment of patriarchal society. An Egyptian woman, Firdaus, has been convicted…
UK premiere of Barnum’s Bird at the Royal College of Music
‘I believe hugely in advertising and blowing my own trumpet, beating the gongs, drums, to attract attention to a show.’ So wrote Phineas Taylor Barnum to a publisher in 1860, adding, ‘As…
Bampton Classical Opera Young Singers’ Competition 2023 Announcement
Bampton Classical Opera Young Singers’ Competition 2023 – Entries now Open Public Final: Saturday 25 November, 6pmLeonard Wolfson Auditorium, Wolfson College, Linton Road, Oxford, OX2 6UD Applications are now open…
English Touring Opera begin new era with Robin Norton-Hale at the helm
English Touring Opera’s General Director, Robin Norton-Hale, launches the ETO’s new era with an ambitious season that places innovation and excellence at the heart of the company’s work. Norton-Hale, who assumed leadership…
Treemonisha 2.0 in Joplin’s Hometown
It takes nearly forty minutes to get to the music Scott Joplin himself wrote for Treemonisha at Opera Theatre of Saint Louis, and I don’t mean that as a bad…
Saint Louis: Oh, Susannah!
From the downbeat of Opera Theatre of Saint Louis’ riveting production of Carlisle Floyd’s Susannah, there was a palpable electricity in the air. In fact, even before the first note…
Visually arresting Candide from Welsh National Opera
In the light of today’s cultural, financial and social turmoil, Welsh National Opera’s new production of Leonard Bernstein’s Candide is just the sort of tonic everyone needs. If its overworked…
Elgan Llŷr Thomas launches his debut disc, Unveiled, at Wigmore Hall
The press release for Unveiled, Welsh-born tenor Elgan Llŷr Thomas’s debut disc, suggests that ‘as a gay musician and composer, [Thomas] became increasingly frustrated by opera’s traditional focus on heterosexual…
In conversation with the Brazilian baritone, Vitor Bispo
When I attended Royal Academy Opera’s Figaro back in March, Vitor Bispo’s authoritative Count Almaviva caught my ear and eye. Subsequently, it was not surprising to learn that the Brazilian…