A Year When Classical Labels Came Through By ANTHONY TOMMASINI In 2003, the problems affecting the classical recording business seemed daunting: markets flooded with multiple versions of the standard repertory;…
La Serva Padrona in Boston
Soprano Amanda Forsythe has sung so often with baritone David Kravitz that she was only mildly surprised recently when she Googled her name, and up popped a reference to “Amanda Kravitz.”
Tonight and tomorrow afternoon, Forsythe is paired with Kravitz again for Pergolesi’s delicious little opera “La Serva Padrona” (“The Maid as Mistress”), presented by Boston Baroque as part of its annual New Year’s Eve/New Year’s Day gala at Sanders Theatre.
La Cenerentola a Torino
Una piccola ma scelta rappresentanza di questo esimio consesso ha assistito ieri sera alla terzultima rappresentazione de La Cenerentola al Regio di Torino. In una sala strapiena di un pubblico…
Lamento with Magdalena Ko
The imposing figure of Johann Sebastian Bach has loomed large for Magdalena Ko�ená throughout her career. It was her first disc of Bach arias on Deutsche Grammophon’s Archiv label that brought the golden-voiced mezzo to the attention of the music world as early as 1997. Word then quickly went round that Magdalena was the perfect choice for Bach recordings. ”This disc that started my international career also was my introduction to the great Baroque conductors, including the wonderful scholar and musician Reinhard Goebel, with whom I’ve worked on my new disc, Lamento.”
Although the title may suggest wailing and gnashing of teeth, this is a sublime and eclectic mixture of music by J. S. Bach, his relations and contemporaries. ”There’s a very optimistic feeling to this CD,” says Ko�ená. ”Although all these pieces are about how horrible it is on this earth, they are really celebrating how great it will be afterwards. There’s a message of hope throughout.”
Tsar’s Bride at the Mariinsky
ST. PETERSBURG, December 29 (RIA Novosti) – The city’s Mariinka (Kirov) theater is to open its next season here today with Nikolai Rimsky-Korsakov’s “Tsar’s Bride” opera.
Talking to RIA Novosti, people at the Mariinka theater’s press center noted that this was a joint production involving the theater and Holland’s Diaghilev Festival Foundation. The new stage version of this opera was first performed December 10 in Groningen, Holland.
Gramophone Reviews Le Comte Ory
Colour, wit and life abound with a star turn from the Rossini tenor of the moment Comte Ory Le Comte Ory is the first great French-language comic opera. A late…
Bullfrog Films’ Don Giovanni: Leporello’s Revenge
Don Giovanni: Leporello’s Revenge Mozart’s opera presented from the point of view of Don Giovanni’s servant, Leporello. 55 minutes Color / Stereo Copyright Date: 2000 ISBN: 1-56029-885-5 Mozart’s Don Giovanni…
An Overview of Opera at Spoleto Festival USA
Spoleto Festival USA has announced the production of three operas for 2005. These are: Die Vögel (The Birds) Lost when Braunfels was blacklisted by the Nazis in the late 1930s,…
Moskva, Cheryomushki at Lyon
Moskva, Cheryomushki, Opéra de Lyon, France By Francis Carlin Published: December 29 2004 02:00 | Last updated: December 29 2004 02:00 Wanted: a warm-up guy for chronically frigid audience. The…
Salieri Redux
For Mozart’s Archrival, an Italian Renaissance By JASON HOROWITZ MILAN – For more than 200 years, Antonio Salieri’s obscure opera “Europa Riconosciuta” (“Europa Revealed”) was forgotten. Before its return to…