Wine, women and song: a tremendous celebration of spring, joy and love at the Proms, from the CBSO and Kazuki Yamada

Wine, women and song.  Immortalized by Johann Strauss II in his 1869 Op.333 waltz, Wein, Weib und Gesang, this was also the title that John Addington Symonds gave to his…

Stirring performances at the First Night of the BBC Proms

This season opener brought together something new, rare and familiar – and with it, in the first half, a clear plea for freedom explicit in the choice of music by…

Haute-couture opera with an industrial vibe: Costanzo, Handel and Glass at London’s Printworks

If one places in context where this program of Handel and Glass took place – the old and the contemporary – its historic setting seemed to have a real sense…

Beethoven’s Missa Solemnis at the Proms

John Eliot Gardiner surely named his Orchestre Révolutionnaire et Romantique with an intent that was thrillingly in evidence during this performance of Beethoven’s Missa Solemnis, the instrumentalists being joined by…

Chineke! Voices and Orchestra at the Proms

Very much a concert of two (unequal) halves, I am afraid.  The first Proms performance of George Walker’s 1995 Lilacs promised and delivered much.  However, the following performance of Beethoven’s…

A stirring The Dream of Gerontius from Edward Gardner and the LPO at the Proms

The final weeks of this Proms festival are serving up some terrific big choral works and, sitting in the stalls before this performance of Elgar’s Dream of Gerontius, how wonderful…

Stateliness and sincerity from John Butt and the OAE: Bach’s Mass in B Minor at the Proms

Why Bach wrote the B minor Mass is a puzzle that keeps musicologists occupied.  How to perform it today is a probably unresolvable question for practitioners.  The Mass began life…

Prom 49: An overwhelming ‘Resurrection’ Symphony from Sir Simon Rattle

There can be no better venue in London for a performance of Mahler’s ’Resurrection’ Symphony than the Royal Albert Hall.  Those fortunate enough to acquire tickets for this sell-out concert…

Prom 43: Handel’s Solomon

Some of Handel’s oratorios aspire to theatre; some have had theatre thrust upon them.  Solomon has neither sustained drama nor a coherent narrative, but it does have some fantastic music…

Prom 41: Superb Nielsen from Thomas Dausgaard and the BBC Scottish Symphony Orchestra

“I think many people are in for pleasant surprises as they get to know Nielsen: his rough charm, his swing, his drive, his rhythmic surprises, his strange power of harmonic…