Guildhall Symphony Orchestra concerts are always something of an event and this one was no exception. Taking in a Swedish modern classic, one of Benjamin Britten’s finest works and a…
A Captivating new production of Pelléas et Mélisande at Opéra Bastille
Premiered at the Opéra-Comique in Paris in 1902 and closely based on Maurice Maeterlinck’s play, Debussy’s Pelléas et Mélisande is renowned for its collision between “its severest realism and the…
Regents Opera’s Ring: A Götterdämmerung for modern times
Having missed the three previous operas in this Ring Cycle I wondered if I’d find myself at a disadvantage in Regents Opera’s Götterdämmerung: the answer is, I think, both yes…
Renée Fleming sings Strauss
“Renée Fleming sings Strauss” shouted all the publicity for this concert, omitting to mention the program was 75% Wagner. Conductor Thomas Guggeis hardly got a look in, yet his successes…
Double, double toil and trouble: a witches’ cauldron in Royal Opera’s Il Trovatore
There are some people who still believe in witches and the power of superstition. Jumping from an allusion to Shakespeare’s Macbeth in the above title to Hamlet’s declaration to Horatio…
Austen meets Dove: Mansfield Park at Guildhall School of Music & Drama
Jonathan Dove’s opera Mansfield Park (with libretto adapted from Jane Austen’s novel by Alasdair Middleton) was first performed in 2011 and commissioned by Heritage Opera – a perfect work for…
Peer Gynt takes the stage at the Opéra national du Rhin, Strasbourg
This concert realisation of Peer Gynt offered a powerful riposte to Debussy’s famously waspish comment on Grieg’s music: that it had the strange charm of a pink bonbon stuffed with…
Shaking it all up with English Touring Opera’s I Capuleti e i Montecchi
You can take the same basic idea with all its dramatic potential, but don’t ever expect it always to turn out successful, even though you adhere to the same basic…
Stéphane Fuget’s new recording of Lully Alceste from Versailles
Lully’s “tragédie lyrique en prologue et cinq actes” Alceste is set to a libretto by Philippe Quinault, after Euripides (Alcestis). The first performance took place at the Theâtre du Palais-Royal…
Charpentier from La Nuova Musica and Voktett Hannover at Wigmore Hall
Under the direction of Baroque specialist David Bates, La Nuova Musica joined forces with the German a capella ensemble Voktett Hannover to reveal two sides of French composer Marc-Antoine Charpentier.…