Voices Unwrapped: Roderick Williams and members of the Aurora Orchestra at Kings Place

“Love, meet me in the green glen,Beside the tall elm-tree,Where the sweetbriar smells so sweet agen.”  The poet-speaker’s call to his beloved to join him, at sunset, in the green…

La voix humaine: Barbara Hannigan and the LSO at the Barbican Hall

Barbara Hannigan’s quasi-miraculous and multifaceted feats in this concert with the London Symphony Orchestra at the Barbican Hall made me reflect on what it is and means to ‘conduct’ a…

The Cunning Little Vixen at English National Opera

Failure to love the operas—more generally, the music—of Janáček would be a strange, soulless thing indeed. It seems more to be opera companies, strange, incomprehensible entities, than opera-goers, be they…

Cornelius Meister opens Bayreuth Festival 2022

Press Release Stuttgart, 25 February 2022 Cornelius Meister, Staatsoper Stuttgart’s General Music Director, will conduct the opening of this year’s Bayreuth Festival. Meister will make his debut at the Festspielhaus…

Covent Garden’s ‘Heart of Darkness’ Rigoletto

In his first production since taking up his appointment as Director of Opera in 2017,Oliver Mears’s thought-provoking staging clearly acknowledges Rigoletto as a timeless classic.  His presentation debuted in September…

Werther in Monte-Carlo

A superb cast, an inspired maestro, an intimate theater, an operatic masterpiece (the eighteenth of Massenet’s thirty-six operas), Werther in Monte-Carlo was a thrilling bombardment of emotional crises.  From the…

Carolyn Sampson, Tim Mead and Arcangelo explore German-Italian crosscurrents at Wigmore Hall

This concert at Wigmore Hall by Arcangelo, under their director Jonathan Cohen, explored German-Italian cultural crosscurrents in the early 18th century.  So, we had a motet dating from the Italian…

As the leaves fall: impressive new choral disc from Guildford Cathedral Choir

The music of Harold Darke and Maurice Duruflé might seem curious bedfellows on this recent disc from Guildford Cathedral Choir, with girls’ and men’s voices, issued by Regent.  Yet both these relatively…

Nadine Benjamin triumphs in ENO’s La bohème

The fifth revival of Jonathan Miller’s well worn-in production of Bohéme has brought with it a number of revelations.  On the first night (February 3), it was the conducting of…

Mark Padmore and Imogen Cooper at Wigmore Hall

The five concerts forming Mark Padmore’s 2022-23 residency at Wigmore Hall will be his last ‘full recitals’ at the Hall, though not necessarily his last appearances.  The series focuses on…