Mark Padmore reflects on Britten’s Death in Venice

“At the start, one knows ‘bits’ of it,” says tenor Mark Padmore, somewhat wryly, when I meet him at the Stage Door of the Royal Opera House where the tenor…

An interview with Cheryl Frances-Hoad, Oxford Lieder Festival’s first Associate Composer

“Trust me, I’m telling you stories …”

In conversation with Nina Brazier

When British opera director Nina Brazier tries to telephone me from Frankfurt, where she is in the middle of rehearsals for a revival of Florentine Klepper’s 2015 production of Martin?’s…

Bill Bankes-Jones on the twelfth TÍte ‡ TÍte Opera Festival

“We need to stop talking about ‘diversity’ and think instead about ‘inclusivity’,” says Bill Bankes-Jones, when we meet to talk about the forthcoming twelfth TÍte ‡ TÍte Opera Festival which…

An interview with composer Dani Howard

The young Hong Kong-born British composer Dani Howard is having quite a busy year.

Irish mezzo-soprano Paula Murrihy on Salzburg, Sellars and Singing

For Peter Sellars, Mozart’s Idomeneo is a ‘visionary’ work, a utopian opera centred on a classic struggle between a father and a son written by an angry 25-year-old composer who…

London Bel Canto Festival 2019: an interview with Ken Querns-Langley

“Physiognomy, psychology and technique.” These are the three things that determine the way a singer’s sound is produced, so Ken Querns-Langley explains when we meet in the genteel surroundings of…

Un ballo in maschera at Investec Opera Holland Park: in conversation with Alison Langer

“Sop. Page, attendant on the King.” So, reads a typical character description of the loyal page Oscar, whose actions, in Verdi’s Un ballo in maschera, unintentionally lead to his monarch’s…

Martin Duncan directs the first UK staging of Offenbach’s Fantasio at Garsington

A mournful Princess forced by her father into an arranged marriage. A Prince who laments that no-one loves him for himself, and so exchanges places with his aide-de-camp. A melancholy…

Thomas Larcher’s The Hunting Gun at the Aldeburgh Festival: in conversation with Peter Schˆne

‘Aloneness’ does not immediately seem a likely or fruitful subject for an opera. But, loneliness and isolation – an individual’s inner sphere, which no other human can truly know or…