In a 1949 broadcast, Sir Arnold Bax (1883-1953) declared: ‘Yeats’ poetry means more to me than all the music of the centuries.’ And, when the Irish poet and dramatist died…
Category: Reviews
More virtuosic feats from Tenebrae at Wigmore Hall
Tenebrae is one of the UK’s national treasures and like a perfectly manicured county cricket pitch barely a blade of grass is out of place. Everything in this Wigmore Hall…
Damiano Michieletto’s Don Pasquale returns to the Royal Opera House
In one sense, Donizetti’s Don Pasquale hinges on a slap. In a fit of pique, Norina lashes out at the eponymous wealthy, stubborn old man whom she’s duped, when he…
Baroque pornography in Alexis Piron’s Vasta, Reine de Bordélie
One of the more enduring pleasures of having had a classical education – at least if you still remember it – is reading the richness of its literature: from Homer…
A third volume of British song from James Gilchrist and Nathan Williamson
With this third and final instalment of their survey of 100 years of British song James Gilchrist and Nathan Williamson bring us up to the present day. Their focus is…
Schwanengesang and other lieder: Ian Bostridge and Imogen Cooper at Leeds Lieder 2022
The thirteen songs, setting poems by Rellstab and Heine, that Schubert’s publisher Tobias Haslinger grouped together, supplemented with an additional setting of Johann Seidl and published as Schwanengesang in 1829,…
The Revolution Smells of Jasmine: Wallis Giunta, Sean Shibe and Adam Walker at Leeds Lieder
The Irish-Canadian mezzo-soprano, Wallis Giunta, described her late-night programme with guitarist Sean Shibe and flautist Adam Walker as ‘the sound track of revolution … an homage to protest music in…
Song Illuminated: Samling Institute Showcase at Leeds Lieder 2022
English song of the twentieth and twenty-first centuries was the focus of this lunchtime recital by two Samling Artists, mezzo-soprano Shakira Tsindos and baritone Dominic Sedgwick, on the opening day…
Brilliant Weill from Kožená, Rattle and the LSO at the Barbican
The Seven Deadly Sins is perhaps the most interesting of the collaborations between Kurt Weill and Berthold Brecht. Composed ‘post-rift’ in 1933, this ballet chanté is sophisticated both musically and…
Mahler Unwrapped: The London Chamber Orchestra at St John’s Smith Square
‘This concert takes us on a journey through everything in Mahler’s world,’ was presenter Dr Leah Broad’s ambitious claim for this London Chamber Orchestra programme at St John’s Smith Square. …