Mid Wales Opera is back! Celebrating its 30th anniversary, this enterprising touring company launched its autumn season with Puccini’s one act tragedy Il tabarro. It was given at Brecon’s Theatr…
Category: Reviews
Handelian magic from English Touring Opera at the Hackney Empire
‘A production in which there is more invention, variety, and good composition, than in any one of the musical dramas of Handel which I have yet carefully and critically examined.’…
Mixed delights from The King’s Consort in Purcell’s Birthday Odes for Queen Mary
Between the years 1689 and 1694 Henry Purcell conceived six successive Birthday Odes for Queen Mary who, until her death in 1694, ruled jointly with her husband William of Orange.…
Christian Gerharer and friends at Wigmore Hall
This recital looked somewhat ‘epic’ on the page and fulfilled its promise in performance, presenting three major chamber works, each encompassing expressive heights, and nadirs, and unified by the nocturnal…
Mattila and Grigorian excel in Claus Guth’s new production of Jenůfa at Covent Garden
When Gabriela Preissová’s play, Její pastorkyňa (Her Stepdaughter), was produced for the first time, on 9th November 1890 at the National Theatre in Prague, it provoked a fierce debate between the advocates…
Edward Gardner conducts a magnificent The Midsummer Marriage to open his first season at the LPO
The last time I heard Michael Tippett’s The Midsummer Marriage was when I reviewed Graham Vick’s 1996 Covent Garden production. Visually spectacular – that vast Stockhausen-like globe, split open temple…
Gluck’s Paris and Helen: Bampton Classical Opera at St John’s Smith Square
Greek heroes are not unaccustomed to squaring up to the whims of gods and fortune, but in bringing Christoph Willibald Gluck’s account of the elopement of Paris, son of King…
Ruby Hughes in spellbinding form in Songs for New Life and Love
At first glance Charles Ives and Gustav Mahler make unusual bed fellows. But on this excellent CD from BIS they flank a song cycle by Helen Grime to form a…
Profound questions from Ondřej Adámek and the LSO, at the Barbican
An obvious risk, and frustration, in asking infinitely profound questions is that one knows they cannot be answered. The title of Ondřej Adámek’s orchestral song-cycle, Where Are You?, poses one such…
Sumptuous performances of Schnittke and Pärt from the Estonian Philharmonic Chamber Choir
Another coupling of Alfred Schnittke and Arvo Pärt from BIS brings together three unaccompanied choral works of the 1980s. Two close contemporaries, their spiritual journeys coincided with the revival of…