There was pungent, post-explosion smoke in the Marlowe Theatre during the performance of Glyndebourne’s touring production of Don Pasquale, and it wasn’t all the result of the pyrotechnics with which…
Category: Reviews
A rake revived: Glyndebourne Tour at the Marlowe Theatre, Canterbury
John Cox and David Hockney’s Glyndebourne production of The Rake’s Progress has proved one of the Festival’s most enduring successes, revived frequently in the Sussex theatre and in international houses…
Thomas Schippers and the NHKSO: beauty, opulence and power – the legendary Osaka Die Walküre debuts on CD
The American conductor Thomas Schippers is a name largely unknown to many people. There may be several reasons for this. He died relatively young – at 47 – from lung…
An Akhnaten for our times from the Metropolitan Opera
Philip Glass’s major operas are hardly well represented on CD. Indeed, until recently only a single recording of each of Satyagraha and Akhnaten was available – and in the case…
A compelling Robert Devereux from Chelsea Opera Group at Cadogan Hall
In June 2019, the Australian soprano Helena Dix stepped into the royal shoes of Elizabeth I, replacing soprano Ina Schlingensiepen at the Badisches Staatstheater in Karlsruhe in the third and final…
The Power of Music: healing, communion and time – a recital with Joyce DiDonato and Craig Terry
Joyce DiDonato spoke very personally – but very universally – about what this recital meant, her first in London since the pandemic began. Music was about healing, but it was…
Lucy Crowe & Anna Tilbrook venture into new musical territory
Emotionally charged songs by Richard Strauss interleaved with youthful offerings by Alban Berg and Arnold Schoenberg form the basis for Lucy Crowe’s first disc with Linn under the title Longing.…
Vibrant visuals and fancy footwork: Cal McCrystal’s HMS Pinafore at English National Opera
The Modern Major-General may dismiss its whistled airs as “infernal nonsense”, but the songs of HMS Pinafore have lost none of their appeal during the near 150 years since Gilbert…
A standing ovation for Lisette Oropesa in the Royal Opera House’s revival of La traviata
Given the tubercular demise of Verdi’s tragic heroine, it’s tempting to describe the ROH’s latest reprise of Richard Eyre’s 1994 production of Verdi’s La traviata in pandemic terms – in…
dream.risk.sing: elevating women’s voices at the Oxford Lieder Festival
British-Australian soprano Samantha Crawford and American pianist Lana Bode describe dream.risk.sing as a ‘love letter to women of all ages … a programme for women and for those who love…