Pasatieri’s return to opera impressive

The June 2 world premiere of “Frau Margot” at the Fort Worth Opera might be regarded as “an historic return,” for this is Thomas Pasitieri’s first opera in 18 years.

“La Traviata” from the Volksoper Wien

In Verdi’s beloved opera, love does not conquer all but the sweet-taste of what “might have been” lingers on our lips forever when we think of the beautiful Violetta.

Arizona Opera’s Susannah ó A Naive Story Dilutes an Impressive Production

Arizona Opera ended its 2006/07 season with a tightly-knit, well-tuned presentation of Carlisle Floyd’s Susannah, his best known opera that has enjoyed numerous productions since its New York City Opera debut in 1956.

Death in Venice at ENO

Deborah Warner’s new production of Death in Venice is ravishingly beautiful, with stunning lighting designs by Jean Kalman who manages to capture the spirit of every facet of Venice and of the drama’s more general themes, from the misty eeriness of Aschenbach’s first gondola ride through to ominous darkening skies and blazing sunsets.

Die Zauberflˆte at the Volksoper

Serpents, abduction, magic flutes, a sacred priesthood and, of course….love, are a few of the elements Mozart used to comprise his mason-influenced collaboration with Emanuel von Schikaneder.

Virginia Arts Festival celebrates “Pocahontas”

Norfork – It’s America’s biggest birthday since the 1976 bicentennial celebration of the Declaration of Independence:

Simon Boccanegra — Opéra national de Paris

Chief attraction of the Paris Opera’s new production of Simon Boccanegra was Dmitri Hvorostovsky in the title role.

Porgy and Bess at Los Angeles Opera

Premiered at Washington National Opera, director Francesca Zambello’s Porgy and Bess arrived in Los Angeles May 4th, for a run of 12 performances in just 17 days.

On The Town – English National Opera

In a season that will conclude with a new production of Kismet, ENO has once again
come under criticism for the number of non-operatic works on the bill.

Delightful Organ at St Margaretís Palm Desert

Who says an organ recital cannot be jolly good fun?