Laurence Equilbey and the Insula orchestra bring a very ‘human’ Fidelio to the Barbican Hall

Sometimes, less really is more.  Such was confirmed by this powerful and affecting concert performance at the Barbican Hall of Beethoven’s lone opera, Fidelio, by Laurence Equilbey’s Paris-based Insula orchestra…

Zipangu and Lonely Child: Two Claude Vivier masterpieces in magnificent performances by the London Sinfonietta

The Quebquois-born composer Claude Vivier – still largely neglected, despite many of his works having an almost fearless intensity entirely relevant for today – was the subject of a rare…

A glimpse of eternity: the LPO performs Birtwistle and Mahler

For many, the greatest English composer since Purcell and the greatest English composer of opera tout court, Harrison Birtwistle died little more than a fortnight before this concert. Even for…

More virtuosic feats from Tenebrae at Wigmore Hall

Tenebrae is one of the UK’s national treasures and like a perfectly manicured county cricket pitch barely a blade of grass is out of place.  Everything in this Wigmore Hall…

Schwanengesang and other lieder: Ian Bostridge and Imogen Cooper at Leeds Lieder 2022

The thirteen songs, setting poems by Rellstab and Heine, that Schubert’s publisher Tobias Haslinger grouped together, supplemented with an additional setting of Johann Seidl and published as Schwanengesang in 1829,…

The Revolution Smells of Jasmine: Wallis Giunta, Sean Shibe and Adam Walker at Leeds Lieder

The Irish-Canadian mezzo-soprano, Wallis Giunta, described her late-night programme with guitarist Sean Shibe and flautist Adam Walker as ‘the sound track of revolution … an homage to protest music in…

Song Illuminated: Samling Institute Showcase at Leeds Lieder 2022

English song of the twentieth and twenty-first centuries was the focus of this lunchtime recital by two Samling Artists, mezzo-soprano Shakira Tsindos and baritone Dominic Sedgwick, on the opening day…

Brilliant Weill from Kožená, Rattle and the LSO at the Barbican

The Seven Deadly Sins is perhaps the most interesting of the collaborations between Kurt Weill and Berthold Brecht.  Composed ‘post-rift’ in 1933, this ballet chanté is sophisticated both musically and…

Mahler Unwrapped: The London Chamber Orchestra at St John’s Smith Square

‘This concert takes us on a journey through everything in Mahler’s world,’ was presenter Dr Leah Broad’s ambitious claim for this London Chamber Orchestra programme at St John’s Smith Square. …

Atmospheric performances from Vox Luminis at St John’s Smith Square

The week-long St John’s Smith Square Easter Festival concluded with a rare appearance by the Belgian early music ensemble Vox Luminis, offering choral gems from two masters of the German…