“Non so pi˘ cosa son, cosa faccio … Now I’m fire, now I’m ice, any woman makes me change colour, any woman makes me quiver.”
Edward Nelson Wins 2020 Glyndebourne Opera Cup
A rising star American baritone who didn’t encounter opera until he was 18 has won the 2020 Glyndebourne Opera Cup as the major international singing competition culminated in a live broadcast on Sky Arts from the Glyndebourne stage.
Bluebeard’s Castle, Munich
Last year the world’s opera companies presented only nine staged runs of BÈla BartÚk’s Bluebeard’s Castle.
The Queen of Spades at Lyric Opera of Chicago
If obsession is key to understanding the dramatic and musical fabric of Tchaikovsky’s opera The Queen of Spades, the current production at Lyric Opera of Chicago succeeds admirably in portraying such aspects of the human psyche.
WNO revival of Carmen in Cardiff
Unveiled by Welsh National Opera last autumn, this Carmen is now in its first revival. Original director Jo Davies has abandoned picture postcard Spain and sun-drenched vistas for images of grey, urban squalor somewhere in modern-day Latin America.
Lise Davidsen ‘rescues’ Tobias Kratzer’s Fidelio at the Royal Opera House
Making Fidelio – Beethoven’s paean to liberty, constancy and fidelity – an emblem of the republican spirit of the French Revolution is unproblematic, despite the opera’s censor-driven ‘Spanish’ setting.
A sunny, insouciant CosÏ from English Touring Opera
Beach balls and parasols. Strolls along the strand. Cocktails on the terrace. Laura Attridge’s new production of CosÏ fan tutte which opened English Touring Opera’s 2020 spring tour at the Hackney Empire, is a sunny, insouciant and often downright silly affair.
A wonderful role debut for Natalya Romaniw in ENO’s revival of Minghella’s Madama Butterfly
The visual beauty of Anthony Minghella’s 2005 production of Madama Butterfly, now returning to the Coliseum stage for its seventh revival, still takes one’s breath away.
Charles Wuorinen: June 9, 1938 – March 11, 2020
Press release from Aleba & Co.: