Magdalena Kožená and Mitsuko Uchida at Wigmore Hall

One performer exudes profundity of thought and subtlety of rhetoric: acute attention to detail, technical finesse and delicate restraint characterise her musicianship.  The other has a voice which glows with…

International Opera Awards 2023 Shortlist Announced

The International Opera Awards has today [11 October 2023] announced the shortlist for this year’s Awards, which will be held at Teatr Wielki, Polish National Opera, Warsaw on Thursday 9 November. The International Opera Awards celebrate…

MacMillan, Tavener & Vaughan Williams: the Choir of Westminster Abbey

In its century-spanning traversal of sacred music, this recent issue from Hyperion and the Choir of Westminster Abbey – the last recording from the recently retired Director of Music James…

A Night at the Museum: English Touring Opera’s La Cenerentola

Who hasn’t had a childhood dream of being locked in the British Museum or Natural History Museum overnight?  What would happen if the exhibits came to life?  Films and fiction…

Rouvali falls short: Uninspired Verdi opens the Philharmonia’s new season

The Philharmonia Orchestra is no stranger to offering Verdi’s Requiem as either a work to open a season – or to close it (or anywhere in between). Many of its…

Ian Bostridge and Les Talens Lyriques open the Echter’Classic Festival in Echternach, Luxembourg

The website of the Echternach Tourist Office tells me that this small medieval town (5,600 inhabitants) in the east of Luxembourg, nestled next to the German border, is one of…

The (R)evolution of Steve Jobs in San Francisco (finally)

Is it man pitted against machines, or is it man sacrificed to machine? Or is it mankind sacrificed to machines. Sitting in the War Memorial Opera House for Mason Bates’…

The Glass Eye: Hugh Cutting sings a new song cycle by Alex Ho at the Oxford International Song Festival

The theme of this year’s Oxford International Song Festival (previously known as Oxford Lieder) is Art:Song – Images/Words/Music.  The performances, exhibitions and events will bring the visual arts, poetry and…

King Arthur: Early Opera Company at Temple Church

Gustav Holst condemned the entire genre of semi-opera as ‘almost insuperable’, at once ‘too dramatic for the concert platform’ and ‘too incoherent for the stage’.  How, he asked, are these…

Monteverdi’s Poppea: a new production from ETO’s General Director, Robin Norton-Hale

English Touring Opera’s Autumn 2023 season opened at the Hackney Empire on Saturday 30 September 2023. This was the first season under new General Director, Robin Norton-Hale, and the opening…