East German stage director Ralf Pleger promised us a Tristan unlike anything we had ever seen. It was indeed. And Slovakian conductor Jura Val?uha gave us a Tristan as never before heard. All of this just now in the most Wagnerian of all Italian cities — Bologna!?
Author: Michael Milenski
Ermelinda by San Francisco’s Ars Minerva
It’s an opera by Vicentino composer Domenico Freschi that premiered in 1681 at the country home of the son of the doge of Venice. Villa Contarini is a couple of hours on horseback from Vicenza, and a few hours by gondola from Venice).
Hansel and Gretel in San Francisco
This Grimm’s fairytale in its operatic version found its way onto the War Memorial stage in the guise of a new “family friendly” production first seen last holiday season at London’s Royal Opera House.
Manon Lescaut in San Francisco
Of the San Francisco Opera Manon Lescauts (in past seasons Leontyne Price, Mirella Freni, Karita Mattila among others, all in their full maturity) the latest is Armenian born Parisian finished soprano Lianna Haroutounian in her role debut. And Mme. Haroutounian is surely the finest of them all.
The Marriage of Figaro in San Francisco
San Francisco Opera rolled out the first installment of its new Mozart/DaPonte trilogy, a handsome Nozze, by Canadian director Michael Cavanagh to lively if mixed result.
RomÈo et Juliette in San Francisco (bis)
The final performance of San Francisco Opera’s deeply flawed production of the Gounod masterpiece became, in fact, a triumph — for the Romeo of Pene Pati, the Juliet of Amina Edris, and for Charles Gounod in the hands of conductor Yves Abel.
Billy Budd in San Francisco
San Francisco Opera’s Billy Budd confirms once again that Britten’s reworking of Melville’s novella is among the great masterpieces of the repertory. It boasted an exemplary cast in an exemplary production, and enlightened conducting.
RomÈo et Juliette in San Francisco
The star-crossed lovers were entrapped in an opera mess worlds away from the smooth elegance of Gounod’s score effected by Canadian conductor Yves Abel.
La traviata at the Palais Garnier
The clatter of information was overwhelmed by soaring bel canto, Verdi’s domestic tragedy destroyed by director Simon Stone, resurrected by conductor Michele Mariotti, a tour de force for South African soprano Pretty Yende.
La traviata at the Arena di Verona
There is esoteric opera — 16,500 spectators at this year’s Rossini Opera Festival in Pesaro, and there is pop opera — upwards of 500,000 spectators for the opera festival at the Arena di Verona, one quarter of them for an over-the-top new production of La traviata, designed and directed by Franco Zeffirelli.