On 23rd September 1876, the ‘Occasional Notes’ column in The Musical World reported that after a performance of the opera Lalla-Roukh by Félicien David (1810-76), one of the musicians made…
Category: Reviews
Operatic Shock Treatment: Salomé in Paris
A new production of Richard Strauss’s Salomé is playing at Paris’s Opera Bastille. Stage Director Lydia Steier, an American working mostly in Germany, has designed it to shock audiences. In…
Tristan und Isolde at Seattle
Seattle Opera has long championed the operas of Richard Wagner. Legendary impresarios Glynn Ross and Speight Jenkins – the latter, at 85, still cutting a dapper figure in the audience…
Halévy’s La tempesta opens the 71st Wexford Festival Opera
“Be not afeard,” Caliban reassures the comic conspirators, Stephano and Trinculo, “This isle is full of noises,/ Sounds and sweet airs that give delight and hurt not.” Indeed, the whole…
Dialogues des Carmelites in San Francisco
Poulenc’s masterpiece (1957), Camus’ La Chute (The Fall) Nobel Prize for Literature (1957), Bernstein’s West Side Story (1957), Gian Carlo Menotti’s The Saint of Bleecker Street (1954). San Francisco Opera…
Patricia Petibon blurs musical and theatrical boundaries at Oxford Lieder
Back in August, when I spoke to Sholto Kynoch about this year’s Oxford Lieder Festival, he told me that one of the things he was most looking forward to, as…
Mid Wales Opera triumphs with Puss in Boots
Mid Wales Opera has virtually created an instruction manual for the performance of community-based opera in rural areas, shrink-wrapping works into spaces that rarely enjoy professional presentation. Its month-long SmallStages…
Revisiting familar forms and formats at Oxford Leider
If regular concertgoers thought that they knew what to expect from a lute-song recital or a lieder programme, the second evening of this year’s Oxford Lieder Festival would certainly have…
Battle Cry: Helen Charlston and Toby Carr at Oxford Lieder
The ‘Battle Cry’ presented by mezzo-soprano Helen Charlston and theorbist Toby Carr in this early- evening Oxford Lieder recital in the Sheldonian Theatre was a distinctively female one, the programme…
Oxford Lieder Festival: Opening Night camaraderie and conviviality
Friendship in Song is the theme of the 21st Oxford Lieder Festival, and the Opening Night recital in the Sheldonian Theatre certainly offered an evening of camaraderie and conviviality, as…