The coupling of Elgar’s Sea Pictures and Mahler’s Sixth Symphony is not an obvious one. One tangible link is that Mahler conducted Sea Pictures in the final year of his…
Category: Reviews
Hamlet at the Met
Today, with post-romanticism and minimalism in decline, most new operas fall into one of two categories. They are either “popularist” or “modernist.” Populist operas are crossover works. Building on Gershwin’s…
Missed chances and haunting memories: Eugene Onegin at Opera Holland Park
If the first night of Julia Burbach’s production of Tchaikovsky’s Eugene Onegin at Opera Holland Park marked the start of London’s summer opera season, it certainly didn’t mark the start…
A gripping Siegfried at Longborough Festival Opera
There’s something wholly satisfying when an opera is allowed to breathe its own magic without overworked directorial interference. This new production of Siegfried – originally planned for 2021 – forms…
Chelsea Opera Group present a superb Andrea Chénier at the Southbank
The 2022 summer opera season has been getting well and truly underway this week, with first nights at Opera Holland Park (Eugene Onegin) and Garsington (Orfeo), following Glyndebourne’s production of…
Samson et Dalila at the Royal Opera House
To describe Saint-Saëns’s Samson et Dalila as ‘old-fashioned’ doesn’t seem controversial. The French composer’s score harks back to the past with its allusions to Handelian fugue and Bachian chorale, betraying…
Ethel Smyth’s The Wreckers at Glyndebourne
It’s not often that a Glyndebourne production offers its audience an interactive experience. But, that’s what seemed to be happening towards the close of the final Act of the second…
A Baroque double-bill from Hampstead Garden Opera
The Cockpit Theatre in Marylebone is typical of the sort of intimate venue in which Hampstead Garden Opera customarily presents its productions, which showcase young singers and musicians in performances…
Apollo of the Arts: Lost Lamentations – a concert for connoisseurs at Winchester College Chapel
It’s rare these days to find a new vocal ensemble prepared to dip its toe in the water of Marian-themed repertoire that is virtually unknown. Such is the case with…
An irreverent but stylishly sung Imeneo at the Royal Academy of Music
Imeneo, Handel’s penultimate opera, has a somewhat chaotic history. It was the only one of Handel’s forty or so operas to be presented as an ‘operetta’ – perhaps to make…