Bernstein’s Candide has been through innumerable versions since the work’s disastrous premiere on Broadway in 1956, and in many ways, it remains a sequence of songs in search of a…
Category: Performances
England Under the Tudors: The Marian Consort at Ightham Mote
Now in its twelfth year, the Music@Malling Festival presents concerts and events in historic venues in and around West Malling in Kent, and the Marian Consort invited us to the…
Antony and Cleopatra in San Francisco
A John Adams premiere is about the biggest news event the opera world can generate. Here’s the news from San Francisco. Antony and Cleopatra is the first opera John Adams…
A due voci: Iestyn Davies and Hugh Cutting at Wigmore Hall
This truly lovely recital represented the fruits of the introduction of the basso continuo at the end of the sixteenth century, which liberated polyphonic voices from their fundamental harmonic role…
Welsh National Opera’s The Makropulos Affair: a magnificent achievement
The question of why we should crave immortality is central to Janáček’s penultimate opera. As a composer he defied old bones and enjoyed an Indian summer, finding recognition during his…
Haute-couture opera with an industrial vibe: Costanzo, Handel and Glass at London’s Printworks
If one places in context where this program of Handel and Glass took place – the old and the contemporary – its historic setting seemed to have a real sense…
The Unravelling Fantasia of Miss H: a powerful operatic tribute to Mary Frances Heaton
She stood up one Sunday in St George’s church, the parish church of Doncaster, and interrupted the sermon, accusing the preacher of being “a whited sepulchre, a thief, a villain,…
The Trocs go to the opera? Vinci’s Alessandro nell’Indie with five countertenors at Bayreuth Baroque Opera Festival
This was a brilliantly theatrical and superbly sung recreation of an opera reflecting the work’s premiere by an all-male cast. Max Emanuel Cencic’s Bayreuth Baroque Opera Festival takes place in…
Beethoven’s Missa Solemnis at the Proms
John Eliot Gardiner surely named his Orchestre Révolutionnaire et Romantique with an intent that was thrillingly in evidence during this performance of Beethoven’s Missa Solemnis, the instrumentalists being joined by…
Chineke! Voices and Orchestra at the Proms
Very much a concert of two (unequal) halves, I am afraid. The first Proms performance of George Walker’s 1995 Lilacs promised and delivered much. However, the following performance of Beethoven’s…