There is a very good reason why Jakub Józef Orliński is such an audience draw today. Just a few lines into the first song, Johann Joseph Fux’s ‘Non t’amo per…
Author: Marc Bridle
Edward Gardner conducts a magnificent The Midsummer Marriage to open his first season at the LPO
The last time I heard Michael Tippett’s The Midsummer Marriage was when I reviewed Graham Vick’s 1996 Covent Garden production. Visually spectacular – that vast Stockhausen-like globe, split open temple…
Tristan und Isolde: the London Philharmonic rise to epic heights, an inspired conductor … and two Tristans
I’m often left wondering with a great performance of Tristan und Isolde whether the true emotion of the work comes from the orchestra rather than the singers. There were moments…
A unique Das Lied from Karajan and a highly charged Salzburg Fifth
Herbert von Karajan started conducting Mahler in 1955 when he performed Lieder eines fahrenden Gesellen. Those performances were given in the United States – Chicago and New York – and…
A formidable new Mahler Fourth from Jakub Hrůša and Anna Lucia Richter
Jakub Hrůša has some impeccable credentials as a Mahler conductor. I described a gripping Resurrection in February 2020 with the Philharmonia Orchestra as one from the Golden Age; one that…
James King, Eileen Farrell and William Steinberg premiere Act II of Tristan und Isolde with the Boston Symphony in 1972
Between 1959 and 1973, a year after William Steinberg ended his tenure as music director of the Boston Symphony Orchestra, works by Richard Wagner had featured only rarely on his…
Max Lorenz: Tristan und Isolde, Hamburg 1949
If there is one myth, it seems believed by some people today, that probably needs shattering it is that post-war recordings or performances of Wagner operas were always of exceptional quality. This 1949 Hamburg Tristan und Isolde is one of those recordings – though quite who is to blame for its many problems takes quite some unearthing.