If the audience for new American art music seems small and is (supposedly) shrinking, then the
audience for new American operas is even more exclusive.
Category: Performances
SILVER: The Thief of Love
WAGNER: The Ring Cycle
It is a mystery as complex as the Kirovís Ring Cycle staging and equally inexplicable.
BARBATO: O Cientista (The Scientist)
Rio de Janeiro, as the capital of the Empire and later the Republic of Brazil, had an extensive history of opera during the 19th century, well-documented by newspapers and magazines of the day, which included the conducting debut of Arturo Toscanini in a local performance of Aida in 1888, described in the memoirs of Brazilian composer and entrepreneur Artur Napole„o.
ìPoppeaî – Heartless in L.A.
After the successful premiËre of Monteverdiís ìLíIncoronazione di Poppeaî (Saturday, November 25th) at the Dorothy Chandler Pavilion, Los Angeles, General Director Placido Domingo spoke warmly and cogently about this early Italian masterpiece, about its free-flowing music and the perfect relevance of the text to todayís world with all its greed, ambition and self-seeking.
Houston ìrescuesî Hansel and Gretel
HOUSTON — “Hansel and Gretel” has taken a beating in recent seasons, as over-zealous directors — aping the excesses of Eurotrash Regieoper — have made Humperdink’s largely innocent retelling of the Grimms’ tale the victim of hyper-active imaginations.
Handel Unwrapped by Scottish Opera: ìTamerlanoî at tea-time
On a cold, wet and dark Glasgow evening in November, some 500 brave souls received what was possibly their first taste of baroque opera.
Brewer makes Isolde hers in stage debut
SAN FRANCISCO ó Christine Brewer took her time mastering Isolde before making her stage debut in the role with the San Francisco Opera in October.
Rossini By The Sea 2006 Enjoying The Unexpected
The Rossini Opera Festival in Pesaro, Italy, had as many surprises on the stage inside as the weather had outside.
Old Music In a New Home ó WNO stages a brand new production of Monteverdi’s “Ulysses”
In his introduction to the Welsh National Opera’s celebratory 60th anniversary season programme Carlo Rizzi, their Music Director, declares that “we are bringing the best of Wales to the rest of the world ó and the best of the world to Wales”.