Charpentier’s La descente d’Orphée aux Enfers charms at the Vache Baroque Festival

The myth of Orpheus and Euridice is dramatically and symbolically tailor-made for opera, so it’s no wonderthat so many composers have been inspired by Ovid’s tale, with its fatal snakebite,…

Sir John in Love: Vaughan Williams’ opera is presented with wit, charm and affection by British Youth Opera

Of Shakespeare’s characters, only Sir John Falstaff has inspired so many operas.  Alongside accounts of his amorous adventures by Salieri, Nicolai, Balfe, Verdi and Holst, Ralph Vaughan Williams’ four-act comedy,…

Le Comte Ory at the Rossini Opera Festival

It was a South American mafia, Peruvian tenor Juan Diego Flórez as the deceitful Count Ory, Venezuelan Diego Matheuz as conductor and Argentinian Hugo de Ana as metteur en scène.…

Rossini’s Otello at Pesaro’s Vitrifrigo Arena

Two high concept productions: Rossini’s Otello set in a kitchen with Rossini’s Le Comte Ory providing some eggs. More or less. For its large scale productions the Rossini Opera Festival…

Turandot at the Arena di Verona

Spectacle is what the Arena di Verona does best, spectacle is what the late Franco Zefferelli did best, Turandot is an opera that lends itself to spectacle like no other.…

Falstaff: Santa Fe’s Belly Laughs

Santa Fe Opera welcomed Verdi’s Falstaff back to its world-renowned festival with a stylish new production marked by wit and effervescence. No company undertakes this piece without knowing they have…

The new Bayreuth Tristan und Isolde

This new production by Roland Schwab, conducted by Markus Poschner was given an ecstatic welcome by the acolytes of Wagner’s revered Festspielhaus. There were, in fact, occasional, very occasional moments…

Santa Fe Opera M. Butterfly: Part Papillon, Part Schmetterling

It is cause for celebration that Santa Fe Opera’s prestigious annual festival presented its 18th world premiere with composer Huang Ruo and librettist David Henry Hwang’s intriguing East-West fantasy, M.…

Ethel Smyth’s The Boatswain’s Mate at the Arcola Theatre

Two days, two boatswains’ mates: the first, genuine navy lad Bill Bobstay, sailing the seas aboard Captain Corcoran’s H.M.S. Pinafore; the second, ex-soldier Ned Travers, partner-in-intrigue to former boatswain Harry…

Three Operas at Salzburg’s Rock Riding School

The huge stage (Felsenreitschule) that is carved into the massive rock face that is the Salzburg Festival’s backdrop — Bartok’s Duke Bluebeard’s Castle, Janacek’s Kat’a Kabanova (lead photo), and Carl…