Verdi’s Requiem at the Royal Festival Hall with Hackney Singers and Lewisham Choral Society

300 singers from Hackney Singers and Lewisham Choral Society join forces with world-class orchestra London Mozart Players, and a cohort of outstanding professional soloists to perform one of the most…

Korngold’s The Dead City at English National Opera

When he published his novel Bruges-la-Morte, in French, in 1892, the symbolist author George Rodenbach included within the narrative dozens of black-and-white topographical photographs of the Belgian city, largely images…

Opera Rara announces 2023/24 season, including a major multi-year project to perform and record almost 200 rarely heard Donizetti songs

Opera Rara continues the rich vein of operatic archaeology, which has been its calling card for over half a century, with performances, studio recordings and exhibitions in a 2023/24 season…

A lovely, lucid Figaro at the Royal Academy of Music

La folle journée is the title of the second play in Pierre Beaumarchais’s ‘Figaro trilogy’ and, duly, the single ‘mad day’ on which the wedding of Figaro and Susanna takes…

Handel’s Scipione: the Early Opera Company close the London Handel Festival with a celebration of clemency

This year’s London Handel Festival was brought to a gracious close with a celebration of clemency, magnanimity and honour.  Scipione, the ninth of the operas that Handel composed for the…

Myths and monsters from the BBCSO and Brabbins at the Barbican Hall

Beowulf is an archetypal heroic text of the medieval age: warriors and kings, the sea and craggy cliffs, monsters and myths: the bright gleam of the hero’s ceremonial armour juxtaposed…

Akhnaten still compels at English National Opera

Those lavish costumes, the fiery sun and the troupe of jugglers continue to leave a vivid impression in Phelim McDermott’s sumptuous staging of Akhnaten.  Now in its second revival since…

Leoncavallo’s Pagliacci at the Teatro dell’Opera di Roma

In his final years, celebrated film and opera director Franco Zeffirelli came to be closely associated with the Teatro dell’Opera di Roma, which shared his traditionalist view of opera staging.…

Mary Bevan on superb form in Signum’s Visions Illuminées

If you think soprano Mary Bevan is associated only with Baroque repertoire, think again.  Yes, she’s recently wowed audiences in Handel’s Alcina at Covent Garden, and she’s about to embark…

Tchaikovsky’s first surviving opera, Oprichnik, gets a vibrant performance from Chelsea Opera Group

Tchaikovsky was fascinated by opera; he started writing around 20 of which nine survive as complete works. We know so very few of them well. His first opera to survive…