La pietra del paragone in Pesaro

Impeccable casting — see photos. Three new generation Italian buffos brought startling new life to Pier Luigi Pizzi’s 2002 production of Rossini’s first major comedy (La Scala, 1812).

Le SiËge de Corinthe in Pesaro

That of Rossini (in French) and that of Lord Byron (in English, Russian, Italian and Spanish), the battles of both Negroponte (1470) and of Missolonghi (1826) re-enacted amidst massive piles of plastic water bottles (thousands of them) that collapsed onto the heroine at Mahomet II’s destruction of Corinth.

Mozart and Stravinsky in Aix

Bathed in Mediterranean light, basking in enlightenment Aix found two famous classical works, Mozart’s Don Giovanni and Stravinsky’s The Rake’s Progress in its famous festival’s open air ThÈ‚tre de l’ArchevÍche. But were we enlightened?

Erismena at the Aix Festival

An incredible feat! The Aix Festival opened five operas, all new productions, on five consecutive evenings. The fifth was Francesco Cavalli’s 1655 drama per musica, Erismena! The compulsive intellectualism of Monteverdi’s L’incoronazione di Poppea (1643) long since thrown in the canals, Cavalli dissolves Venetian opera into purest, mindless hedonism.

Carmen at the Aix Festival

There were four simultaneous Carmen — those of Prosper Merimee, Georges Bizet, Dimitri Tcherniakov and Pablo Heras-Casado.

Pinocchio in Aix (World Premiere)

Back to the operatic days when the book took top billing and the composer’s name was in the fine print. Collodi’s tale is an epic journey wrapped in sophisticated innocence that leaves you probably more disgusted than anything else — Collodi’s Pinocchio is not a charming child.

Don Carlo in Marseille

First mounted in 2015 at the OpÈra National de Bordeaux this splendid Don Carlo production took stage just now at the OpÈra de Marseille with a completely different cast and conductor. This Marseille edition achieved an artistic stature rarely found hereabouts, or anywhere.

La BohËme in San Francisco

In 2008 it was the electrifying conducting of Nicola Luisotti and the famed MimÏ of Angela Gheorghiu, in 2014 it was the riveting portrayals of Michael Fabbiano’s Rodolfo and Alexey Markov’s Marcelo. Now, in 2017, it is the high Italian style of Erika Grimaldi’s MimÏ — and just about everything else!

Don Giovanni in San Francisco

San Francisco Opera revved up its 2011 production of Don Giovanni with a new directorial team and a new conductor. And a blue-chip cast.

Rigoletto in San Francisco

Every once in a while a warhorse redefines itself. This happened last night in San Francisco when Rigoletto propelled itself into the ranks of the great masterpieces of opera as theater — the likes of Falstaff and Tristan and Rossini’s Otello.