J.S. Bach’s two settings of the Passion of Christ are soaring manifestations of early modern Lutheran devotion, profound meditations on suffering (from the Latin verb, patior, meaning ‘to suffer, bear…
Year: 2022
A Quiet Place at the Palais Garnier
A Quiet Place has come of age, thirty-nine years later. In 1983 much of its subject matter was sensitive, even taboo. As well it dwelt on naked emotional histories that…
“Family Secrets”* in Lyon (Irrelohe)
Irrelohe. An orchestral orgy — triple winds, quadruple brass though six horns, two harps, organ, celeste, guitar, mandolins, an eighth player percussion battery plus tympani and strings. Libretto and music…
“Family Secrets”* at the Opéra de Lyon (Rigoletto)
Rigoletto. Docudrama of a father whose wife dies in childbirth, raises daughter who falls in love with a selfish, debauched hoodlum. Show curtain is block apartment lighted windows. And they…
Royal Opera House announces special fundraising concerts and stream for Ukraine
Today, the Royal Opera House unveils a series of fundraising initiatives in support of the Disasters Emergency Committee (DEC) Ukraine Humanitarian Appeal. On Good Friday 15 April 2022, at 4.30pm, Ukrainian Oksana Lyniv joins Music Director of The…
Louise Alder and Joseph Middleton at Wigmore Hall
Louise Alder’s lunchtime recital at Wigmore Hall, with pianist Joseph Middleton, was almost operatic in its scope and emotional energy. And, Alder showed her fearlessness by opening her programme with…
Dove, Weir and Martin from the Choir of Westminster Abbey
Hyperion has brought together three composers with a special affinity for choral music, as already demonstrated in earlier recordings devoted solely to their music on Delphian, Naxos and Opus Arte…
Ariadne auf Naxos at the Met
A funny thing happened at the Metropolitan Opera last Thursday, during the final performance of a recent run of Richard Strauss’s Ariadne auf Naxos. In the silence after the applause…
Peter Grimes at the Royal Opera House
“What harbour shelters peace, away from tidal waves, away from storms?” The opening moments of Deborah Warner’s new production of Britten’s Peter Grimes at the Royal Opera House make it…
Eastertide Evensong from St John’s College, Cambridge
Does the release of a second live evensong album from this celebrated choir reflect a growing interest in the music and ritual within our great cathedrals and collegiate chapels? Whatever…