One might say of Daniel Slater’s production of Handel’s Tamerlano at The Grange Festival that the staging offers nothing about which to complain and that the singing gives much to…
Lise Davidsen and Freddie De Tommaso: voices of star quality in an exceptional recital
The last couple of times I have reviewed Lise Davidsen at the Barbican – who is beginning to feel at home in this hall as Birgit Nilsson once did at…
Don Giovanni at San Francisco Opera
The crowning jewel of Mozart’s operas has arrived at the War Memorial Opera House, San Francisco Opera now completing, finally, the Covid thwarted rollout of an integrated Mozart/DaPonte trilogy. The…
A double bill of Monteverdi and Weill at the Guildhall School of Music and Drama
The London Conservatoires frequently serve up some of the most interesting operatic fare in the capital: unusual programmes, often in eclectic pairings, presented in inventive stagings – and, of course,…
Garsington Opera: Così fan tutte
Dismissed by Beethoven and Wagner, it has taken nearly two centuries for Così fan tutte to emerge from society’s censor and for Mozart’s genius for expressing human nature through sublime…
Bampton Classical Opera 2022: Handel’s Clori, Tirsi e Fileno
This autumn Bampton Classical Opera will be giving performances of Handel’s Clori, Tirsi e Fileno, one of his most extended and loveliest cantatas, at venues in Sussex, Oxfordshire and Surrey. Also known…
Monteverdi’s Orfeo at Garsington Opera
What is most striking about John Caird’s new production of Monteverdi’s Orfeo at Garsington Opera is the extent to which it reminds us that the humanist theories informing the aesthetic…
Kathryn Rudge sings an exquisite Sea Pictures beside Vasily Petrenko’s safe Mahler Sixth
The coupling of Elgar’s Sea Pictures and Mahler’s Sixth Symphony is not an obvious one. One tangible link is that Mahler conducted Sea Pictures in the final year of his…
Hamlet at the Met
Today, with post-romanticism and minimalism in decline, most new operas fall into one of two categories. They are either “popularist” or “modernist.” Populist operas are crossover works. Building on Gershwin’s…
Missed chances and haunting memories: Eugene Onegin at Opera Holland Park
If the first night of Julia Burbach’s production of Tchaikovsky’s Eugene Onegin at Opera Holland Park marked the start of London’s summer opera season, it certainly didn’t mark the start…