Handel was rather fond of enchantresses; they pop up in his operas both early and late. It wasn’t the power per se that seems to have interested him but the…
Mesmerising performances from the LSO and Noseda at the Barbican
‘He liked to think that he wasn’t afraid of death. It was life he was afraid of, not death. He believed that people should think about death more often, and…
Bravura and brutality: Irish National Opera bring Vivaldi’s Bajazet to the Royal Opera House
In this age of copyright, the pasticcio – in which pre-existing arias by various composers are assembled to make a ‘new’ work – is a somewhat discredited form, generally regarded…
Opera North’s Rigoletto
Ostensibly, Victor Hugo’s play Le roi s’amuse satirised the licentious court of King Francis I of France, but at the play’s 1832 premiere in Paris the authorities thought the subject…
Handel’s Theodora at the Royal Opera House
Theodora is ‘coming home’ … but not as you know it, was the essential message of the press briefings issued by the Royal Opera House in the run up to…
A Musical Banquet: Iestyn Davies and Thomas Dunford
Hot off the press in 1610 was A Musicall Banquet furnished with varietie of delicious Ayres, Collected out of the best Authors in English, French, Spanish and Italian – a compilation…
Les Vêpres Siciliennes in Palermo
Ossia I Vespri Siciliani takes its name from the evening prayer to which the faithful are called by the ringing of bells. Specifically the bells of Verdi’s Sicilian vespers signal…
Kát’a Kabanova in Rome
The Opera di Roma marks the centenary of Janacek’s intimate domestic tragedy Kat’a Kabanova with a new cast for Richard Jones’ prize winning, 2019 Covent Garden production. Reportedly spell binding…
Exclusive first look behind the scenes of Katie Mitchell’s thrilling new production of Handel’s Theodora
Acclaimed director Katie Mitchell’s gripping new production of Handel’s Theodora opens at the Royal Opera House on Monday 31st January 2022. Not heard in Covent Garden since its 1750 premiere,…
Mirages: Roderick Williams and Roger Vignoles explore the ‘art’ of French song
The repertory of French mélodie must comprise many thousands of songs. The genre, which developed in the early 1800s and reached full maturity in the second half of the century, was…