AurÈlien Bory, director of a small, avant garde theater company in Toulouse, staged a spellbinding Parsifal at the ThÈ‚tre du Capitole, Toulouse’s famed Orchestre National du Capitole in the pit — FYI the Capitole is Toulouse’s city hall, the opera house is a part of it.
Tag: Milenski
Parsifal in Palermo
Richard Wagner chose to finish his Good Friday opera while residing in Sicily’s Palermo, partaking of the natural splendors of its famed verdant basin, the Conca d’Oro, and reveling in the golden light of its surreal Monreale cathedral.
I Capuleti e i Montecchi in Rome
Shakespearean sentiments may gracefully enrich Gounod’s Romeo et Juliet, but powerful Baroque tensions enthrall us in the bel canto complexities of Vincenzo Bellini’s I Capuleti e i Montecchi. Conductor Daniele Gatti’s offered a truly fine bel canto evening at Rome’s Teatro dell’Opera introducing a trio of fine young artists.
Tristan und Isolde in Bologna
East German stage director Ralf Pleger promised us a Tristan unlike anything we had ever seen. It was indeed. And Slovakian conductor Jura Val?uha gave us a Tristan as never before heard. All of this just now in the most Wagnerian of all Italian cities — Bologna!?
Ermelinda by San Francisco’s Ars Minerva
It’s an opera by Vicentino composer Domenico Freschi that premiered in 1681 at the country home of the son of the doge of Venice. Villa Contarini is a couple of hours on horseback from Vicenza, and a few hours by gondola from Venice).
Hansel and Gretel in San Francisco
This Grimm’s fairytale in its operatic version found its way onto the War Memorial stage in the guise of a new “family friendly” production first seen last holiday season at London’s Royal Opera House.
Manon Lescaut in San Francisco
Of the San Francisco Opera Manon Lescauts (in past seasons Leontyne Price, Mirella Freni, Karita Mattila among others, all in their full maturity) the latest is Armenian born Parisian finished soprano Lianna Haroutounian in her role debut. And Mme. Haroutounian is surely the finest of them all.
The Marriage of Figaro in San Francisco
San Francisco Opera rolled out the first installment of its new Mozart/DaPonte trilogy, a handsome Nozze, by Canadian director Michael Cavanagh to lively if mixed result.
RomÈo et Juliette in San Francisco (bis)
The final performance of San Francisco Opera’s deeply flawed production of the Gounod masterpiece became, in fact, a triumph — for the Romeo of Pene Pati, the Juliet of Amina Edris, and for Charles Gounod in the hands of conductor Yves Abel.
Billy Budd in San Francisco
San Francisco Opera’s Billy Budd confirms once again that Britten’s reworking of Melville’s novella is among the great masterpieces of the repertory. It boasted an exemplary cast in an exemplary production, and enlightened conducting.