Kathryn Rudge sings an exquisite Sea Pictures beside Vasily Petrenko’s safe Mahler Sixth

The coupling of Elgar’s Sea Pictures and Mahler’s Sixth Symphony is not an obvious one. One tangible link is that Mahler conducted Sea Pictures in the final year of his…

Zipangu and Lonely Child: Two Claude Vivier masterpieces in magnificent performances by the London Sinfonietta

The Quebquois-born composer Claude Vivier – still largely neglected, despite many of his works having an almost fearless intensity entirely relevant for today – was the subject of a rare…

Baroque pornography in Alexis Piron’s Vasta, Reine de Bordélie

One of the more enduring pleasures of having had a classical education – at least if you still remember it – is reading the richness of its literature: from Homer…

Barbican Centre at 40: shortcomings and memorable moments

London’s Barbican Centre is 40 years old. Its inaugural concert back then for the official opening of the Barbican Centre – given on the 3rd March – had been played…

Exile and Isolation: Julian Anderson’s Suite from Exiles, the LSO and Simon Rattle

Often you go to concerts and the programming isn’t especially obvious – why are these works being played besides each other?  This is particularly the case with concertos and symphonies.…

A formidable Dame Patricia Routledge as the formidable Dame Myra Hess

It came as something of a shock to me to discover that Dame Patricia Routledge is now 92 years old. She is much shorter than one imagines, given the massive…

ENO’s Valkyrie fails to catch fire: an under-ambitious start to Richard Jones’s Ring Cycle

Very little exists in a visual way of Wieland Wagner’s Bayreuth Die Walküre from the mid-to-late 1960s. What does, largely requires us to use our imagination. It is something which…

Simon Keenlyside and Anna Pirozzi: chilling psychopaths in Covent Garden’s impressive revival of Macbeth

Macbeth is the first great fusion of music and drama in Verdi’s operas. It needs a great production, however, to bring those elements together and this is largely what Phyllida…

Transfigured Strauss and breathtaking Wagner: Miah Persson sings Vier letze Lieder and Rouvali conducts The Ring Without Words

It’s not often that I review a concert back to front, but this Philharmonia pairing of Strauss and Wagner is in part better understood that way. Both composers used huge…

Thomas Schippers and the NHKSO: beauty, opulence and power – the legendary Osaka Die Walküre debuts on CD

The American conductor Thomas Schippers is a name largely unknown to many people. There may be several reasons for this. He died relatively young – at 47 – from lung…