It was a single title but a double bill and there was far more happening than Gordon Getty and Claude Debussy. Starting with Edgar Allen Poe.
Tag: Milenski
Die Meistersinger von Nurnberg in San Francisco
Falstaff and Die Meistersinger are among the pinnacles if not the pinnacles of nineteenth century opera. Both operas are atypical of the composer and both operas are based on a Shakespeare play.
Tannhauser und der S‰ngerkrieg auf Wartburg
Ossia Tannhauser and James Levine with the Metropolitan Opera Orchestra.
Lucia di Lammermoor in San Francisco
First it was Bulgarian soprano Sonya Yoncheva who cancelled in Zurich (no longer in her voice), then it was . . .
Sweeney Todd at the San Francisco Opera
Did the iconic “off-beat” and “serious” American musical hold the stage of the War Memorial Opera House? The excited audience (standees three deep) thought so and roared their appreciation.
Luisa Miller in San Francisco
Luisa Miller sits on the fringes of the repertory, and since its introduction into the modern repertory in the 1970’s it comes around every 15 or so years. Unfortunately this 2015 San Francisco occasion has not bothered to rethink this remarkable opera.
Pesaro’s Rossini Festival 2015
The 36th Rossini Opera Festival in Rossini’s Pesaro! La gazza ladra (1817), La gazzetta (1816) and L’inganno felice (1812) — the little opera that made Rossini famous.
Die Eroberung von Mexico in Salzburg
That’s The Conquest of Mexico, an historical music drama composed in 1991 by German composer Wolfgang Rihm (b. 1952). But wait. Wolfgang Rihm construed a few sentences of Artaud’s La ConquÍte du Mexique (1932) mixed up with bits of Aztec chant and bits of poem(s) by Mexico’s Octavio Paz (d. 1998) to make a libretto.
Norma in Salzburg
This Salzburg Norma is not new news. This superb production was first seen at the Salzburg Festival’s springtime Whitsun Festival in 2013 with this same cast. It will now travel to a few major European cities.